Archaeological Review from Cambridge, Volumes 18-19Department of Archaeology, 2002 - Archaeology |
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Page 101
... human brain to perceive images of the face in situations of abstraction ( see for example Figure 3. Pablo Picasso , Weeping Woman , 1937 ) or when reduced to its very minimum component parts , what neurobiologist Semir Zeki ( 1998 ) ...
... human brain to perceive images of the face in situations of abstraction ( see for example Figure 3. Pablo Picasso , Weeping Woman , 1937 ) or when reduced to its very minimum component parts , what neurobiologist Semir Zeki ( 1998 ) ...
Page 116
... human experiences for which they have been the occasion . ( 1969 : 33 ) Similarly , Forge has remarked on how Long's work ' asserts its origin in human activity and thus prepares the spectator for consideration of the " interaction ...
... human experiences for which they have been the occasion . ( 1969 : 33 ) Similarly , Forge has remarked on how Long's work ' asserts its origin in human activity and thus prepares the spectator for consideration of the " interaction ...
Page 120
... human - object relations , breaking down the last vestiges of human / object dichotomies , and the realisation of the importance of corporeal and intercorporeal experiences in the construction of human experience and knowledge ( e.g. ...
... human - object relations , breaking down the last vestiges of human / object dichotomies , and the realisation of the importance of corporeal and intercorporeal experiences in the construction of human experience and knowledge ( e.g. ...
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aesthetic aesthetic objects animals Antiquity appear approach archaeology artefacts artist associated become bird Black body bog bodies bones bowl Britain British burial Cambridge century concept concerned considered construction contemporary context discussion early England English ethnicity Europe European evidence example excavations existence experience expression face Figure fish German groups human ideas identified identity illustrative images important individual interest interpretation issues Italy knowledge land landscape late living London Long material culture means medieval Museum nature objects origin Oxford particular past period perspective plague political possible practice present problem production question recent record reference regional relations remains represent representation Review Roman sculpture seen social society sources space species status structures suggests symbolic theory tradition understanding University Press York zooarchaeology