Literary Criticism; an Introductory ReaderLionel Trilling |
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Page 498
... object which is the work of the mind . There is no art except for and by others . Reading seems , in fact , to be the synthesis of perception and creation . * It supposes the essentiality of both the subject and the object . The object ...
... object which is the work of the mind . There is no art except for and by others . Reading seems , in fact , to be the synthesis of perception and creation . * It supposes the essentiality of both the subject and the object . The object ...
Page 499
... object . And at the very interior of this object there are more silences - which the author does not tell . It is a question of silences which are so particular that they could not retain any meaning outside of the object which the ...
... object . And at the very interior of this object there are more silences - which the author does not tell . It is a question of silences which are so particular that they could not retain any meaning outside of the object which the ...
Page 506
... object is given as object to its creator . It is the sole case in which the creator gets any enjoy- ment out of the object he creates . And the word enjoyment which is applied to the positional consciousness of the work read indicates ...
... object is given as object to its creator . It is the sole case in which the creator gets any enjoy- ment out of the object he creates . And the word enjoyment which is applied to the positional consciousness of the work read indicates ...
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Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing