Literary Criticism; an Introductory ReaderLionel Trilling |
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Page 9
... mind of the poet while composing ? ' The work ceases then to be regarded as primarily a reflection of nature ; the mirror held up to nature becomes transparent and yields the reader insight into the mind and heart of the poet himself ...
... mind of the poet while composing ? ' The work ceases then to be regarded as primarily a reflection of nature ; the mirror held up to nature becomes transparent and yields the reader insight into the mind and heart of the poet himself ...
Page 330
... mind is " ashamed " of the blood . And the blood is destroyed by the mind , actually . Hence pale - faces . At present the mind - consciousness and the so - called spirit triumphs . In America supremely . In America , nobody does ...
... mind is " ashamed " of the blood . And the blood is destroyed by the mind , actually . Hence pale - faces . At present the mind - consciousness and the so - called spirit triumphs . In America supremely . In America , nobody does ...
Page 452
... mind , as a verbal contrast , as though it represented a clear and real relationship between two well - defined notions . It must be admitted that that character always in a hurry to have done , whom we call our mind , has a weakness ...
... mind , as a verbal contrast , as though it represented a clear and real relationship between two well - defined notions . It must be admitted that that character always in a hurry to have done , whom we call our mind , has a weakness ...
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action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing