Literary Criticism; an Introductory ReaderLionel Trilling |
From inside the book
Results 1-3 of 74
Page 287
... emotion that is made out of their distinct evocations and yet is one emotion . The same rela- tion exists between all portions of every work of art , whether it be an epic or a song , and the more perfect it is , and the more various ...
... emotion that is made out of their distinct evocations and yet is one emotion . The same rela- tion exists between all portions of every work of art , whether it be an epic or a song , and the more perfect it is , and the more various ...
Page 301
... emotions , or an emotion and its concomitant ideas , or a sensation and its derivative emotions , or an impression that is emotive , etc. , etc. , etc. You begin with the yeowl and the bark , and you develop into the dance and into ...
... emotions , or an emotion and its concomitant ideas , or a sensation and its derivative emotions , or an impression that is emotive , etc. , etc. , etc. You begin with the yeowl and the bark , and you develop into the dance and into ...
Page 366
... emotion by no means superficially evident , have combined with it to give us a new art emotion . It is not in his personal emotions , the emotions provoked by particular events in his life , that the poet is in any way remarkable or ...
... emotion by no means superficially evident , have combined with it to give us a new art emotion . It is not in his personal emotions , the emotions provoked by particular events in his life , that the poet is in any way remarkable or ...
Other editions - View all
Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing