Literary Criticism; an Introductory ReaderLionel Trilling |
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Page 31
... better way ? Ion . He is incomparably better . Soc . And yet surely , my dear friend Ion , where many people are dis- cussing numbers , and one speaks better than the rest , there is somebody who can judge which of them is the good ...
... better way ? Ion . He is incomparably better . Soc . And yet surely , my dear friend Ion , where many people are dis- cussing numbers , and one speaks better than the rest , there is somebody who can judge which of them is the good ...
Page 36
... better judge of the lines which you were reciting from Homer , you or the charioteer ? Ion . The charioteer . Soc . Why , yes , because you are a rhapsode and not a charioteer . Ion . Yes . Soc . And the art of the rhapsode is different ...
... better judge of the lines which you were reciting from Homer , you or the charioteer ? Ion . The charioteer . Soc . Why , yes , because you are a rhapsode and not a charioteer . Ion . Yes . Soc . And the art of the rhapsode is different ...
Page 37
... better than I do , Ion , select for me passages which relate to the rhapsode and the rhapsode's art , and which the rhapsode ought to examine and judge of better than other men . Ion . All passages , I should say , Socrates . Soc . Not ...
... better than I do , Ion , select for me passages which relate to the rhapsode and the rhapsode's art , and which the rhapsode ought to examine and judge of better than other men . Ion . All passages , I should say , Socrates . Soc . Not ...
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Common terms and phrases
action admiration Aeschylus aesthetic appears Aristotle artist Balzac beauty become better Byron called century character Comedy conception consciousness culture D. H. Lawrence dramatic effect Eliot emotion English epic Epic poetry essay Euripides existence experience expression F. R. Leavis fact feeling fiction French genius give Greek Homer human I. A. Richards ideas Iliad images imagination imitation intellectual interpretation judgment kind King Lear language less literary criticism literature Matthew Arnold means metre mind modern moral myth nature never novel object Odysseus Paradise Lost passions perhaps person philosophical Plato play pleasure plot poem poet poet's poetic poetry present produced prose reader reality reason relation sense Shakespeare social Sophocles soul speak spirit story style T. S. Eliot theory things thought tion tragedy true truth University verse whole words Wordsworth writing