The Poetry of Shakespeare's Plays, Volume 10 |
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Page 74
... perfection . In all probability they were written over the same period as that in which the majority of the Sonnets were composed , and this no doubt accounts for their most obvious characteristic , the high proportion of rhyming ...
... perfection . In all probability they were written over the same period as that in which the majority of the Sonnets were composed , and this no doubt accounts for their most obvious characteristic , the high proportion of rhyming ...
Page 83
... perfection of the single line within which the phrase is set . Sonnet 33 , the octet of which is quoted above , is a succession of such lines , and if asked to describe this poetry of noun , adjective , and phrase , one might do worse ...
... perfection of the single line within which the phrase is set . Sonnet 33 , the octet of which is quoted above , is a succession of such lines , and if asked to describe this poetry of noun , adjective , and phrase , one might do worse ...
Page 182
... perfection of a dramatic form . Pericles fails in its first two acts , which , in addition to being mutilated in transmission , are the episodes of inconsequent romance , with little bearing on the main action of the play ; Cymbeline ...
... perfection of a dramatic form . Pericles fails in its first two acts , which , in addition to being mutilated in transmission , are the episodes of inconsequent romance , with little bearing on the main action of the play ; Cymbeline ...
Contents
Chapter Page | vii |
EARLY PLAYS AND POEMS | 53 |
SONNETS AND LYRICAL PLAYS | 74 |
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Common terms and phrases
action alliteration Antony and Cleopatra assonance assonantal audience beauty blank verse character characteristic Comedy of Errors conceit Coriolanus Cymbeline death developed diction doth dramatic poetry dramatist early plays element emotions example eyes Falstaff feminine ending Fletcher Hamlet hand harmonized hath heart Henry VI Henry VIII heroines histories Iago iambic illustrates imagery Julius Cæsar King John language Lear Love's Labour's Lost Lucrece lyrical plays Macbeth medium Merchant of Venice metaphor middle nature never Othello passage perfection Pericles period phrase poem poet Prince prose quibble redundant syllable rhetorical rhyme rhythm Richard Richard II romantic comedies Romeo and Juliet scarcely scene sequence Shake Shakespeare similar Sonnets sound speaks speare speare's speech stage strange Stratford style sweet Tempest theatre thee theme things thou Timon tragedies tragic hero trochaic trochees Twelfth Night Venus and Adonis Viola vowels Winter's Tale words writing written wrote