The Poetry of Shakespeare's Plays, Volume 10 |
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Page 21
... later plays , particularly in Macbeth , it becomes an instrument of profound dramatic effect . As alliteration is characteristic of the early poetry , so is assonance of the later ; in the one the consonants are relatively more ...
... later plays , particularly in Macbeth , it becomes an instrument of profound dramatic effect . As alliteration is characteristic of the early poetry , so is assonance of the later ; in the one the consonants are relatively more ...
Page 22
... later : Nay , but this dotage of our general's O'erflows the measure : those his goodly eyes , That o'er the files and musters of the war Have glow'd like plated Mars , now bend , now turn The office and devotion of their view Upon a ...
... later : Nay , but this dotage of our general's O'erflows the measure : those his goodly eyes , That o'er the files and musters of the war Have glow'd like plated Mars , now bend , now turn The office and devotion of their view Upon a ...
Page 36
... later is , then , partly one of originality , partly one of speed , though in the lyrical plays we often find an image that is basically conventional quite transfigured by his imagina- tion and charged with an entirely new emotive ...
... later is , then , partly one of originality , partly one of speed , though in the lyrical plays we often find an image that is basically conventional quite transfigured by his imagina- tion and charged with an entirely new emotive ...
Contents
Chapter Page | vii |
EARLY PLAYS AND POEMS | 53 |
SONNETS AND LYRICAL PLAYS | 74 |
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Common terms and phrases
action alliteration Antony and Cleopatra assonance assonantal audience beauty blank verse character characteristic Comedy of Errors conceit Coriolanus Cymbeline death developed diction doth dramatic poetry dramatist early plays element emotions example eyes Falstaff feminine ending Fletcher Hamlet hand harmonized hath heart Henry VI Henry VIII heroines histories Iago iambic illustrates imagery Julius Cæsar King John language Lear Love's Labour's Lost Lucrece lyrical plays Macbeth medium Merchant of Venice metaphor middle nature never Othello passage perfection Pericles period phrase poem poet Prince prose quibble redundant syllable rhetorical rhyme rhythm Richard Richard II romantic comedies Romeo and Juliet scarcely scene sequence Shake Shakespeare similar Sonnets sound speaks speare speare's speech stage strange Stratford style sweet Tempest theatre thee theme things thou Timon tragedies tragic hero trochaic trochees Twelfth Night Venus and Adonis Viola vowels Winter's Tale words writing written wrote