The Poetry of Shakespeare's Plays, Volume 10 |
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Page 14
... language , perhaps the greatest that has been written in any language , and that it is in his poetry that he is almost divinely profound . Most of the criticism has been on the old lines , on the characters of the plays , and on ...
... language , perhaps the greatest that has been written in any language , and that it is in his poetry that he is almost divinely profound . Most of the criticism has been on the old lines , on the characters of the plays , and on ...
Page 56
... a result the rhetoric is more frequently overwrought and degenerates into fustian , and if Tolstoy's stricture that all Shakespeare's characters speak the same language , and a language 56 The Poetry of Shakespeare's Plays.
... a result the rhetoric is more frequently overwrought and degenerates into fustian , and if Tolstoy's stricture that all Shakespeare's characters speak the same language , and a language 56 The Poetry of Shakespeare's Plays.
Page 179
... language of romantic comedy . There was always the danger that the speed and profusion with which Shakespeare's imagination presented him with ideas and images would lead to a private language , or at least to one too personal for the ...
... language of romantic comedy . There was always the danger that the speed and profusion with which Shakespeare's imagination presented him with ideas and images would lead to a private language , or at least to one too personal for the ...
Contents
Chapter Page | vii |
EARLY PLAYS AND POEMS | 53 |
SONNETS AND LYRICAL PLAYS | 74 |
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action alliteration Antony and Cleopatra assonance assonantal audience beauty blank verse character characteristic Comedy of Errors conceit Coriolanus Cymbeline death developed diction doth dramatic poetry dramatist early plays element emotions example eyes Falstaff feminine ending Fletcher Hamlet hand harmonized hath heart Henry VI Henry VIII heroines histories Iago iambic illustrates imagery Julius Cæsar King John language Lear Love's Labour's Lost Lucrece lyrical plays Macbeth medium Merchant of Venice metaphor middle nature never Othello passage perfection Pericles period phrase poem poet Prince prose quibble redundant syllable rhetorical rhyme rhythm Richard Richard II romantic comedies Romeo and Juliet scarcely scene sequence Shake Shakespeare similar Sonnets sound speaks speare speare's speech stage strange Stratford style sweet Tempest theatre thee theme things thou Timon tragedies tragic hero trochaic trochees Twelfth Night Venus and Adonis Viola vowels Winter's Tale words writing written wrote