The Poetry of Shakespeare's Plays, Volume 10 |
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Page 56
... developed a Shakespearean and most unMarlovian sense of humour , but in 3 Henry VI there is none of these things . As a result the rhetoric is more frequently overwrought and degenerates into fustian , and if Tolstoy's stricture that ...
... developed a Shakespearean and most unMarlovian sense of humour , but in 3 Henry VI there is none of these things . As a result the rhetoric is more frequently overwrought and degenerates into fustian , and if Tolstoy's stricture that ...
Page 57
... developed , which contributes not a little to the oppressiveness of the play : that of the sun , its parching and shrivelling power , and the subsidiary image of fire . Dr Spurgeon has shown that the ' conception of the king as sun is ...
... developed , which contributes not a little to the oppressiveness of the play : that of the sun , its parching and shrivelling power , and the subsidiary image of fire . Dr Spurgeon has shown that the ' conception of the king as sun is ...
Page 99
... develop- ment of character and action ; it advances more steadily , with fewer excursions into pure poetry , and more ... developed the compound metaphor and embra- cing rhythm which , in the later plays , take the place of simple image ...
... develop- ment of character and action ; it advances more steadily , with fewer excursions into pure poetry , and more ... developed the compound metaphor and embra- cing rhythm which , in the later plays , take the place of simple image ...
Contents
Chapter Page | vii |
EARLY PLAYS AND POEMS | 53 |
SONNETS AND LYRICAL PLAYS | 74 |
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action alliteration Antony and Cleopatra assonance assonantal audience beauty blank verse character characteristic Comedy of Errors conceit Coriolanus Cymbeline death developed diction doth dramatic poetry dramatist early plays element emotions example eyes Falstaff feminine ending Fletcher Hamlet hand harmonized hath heart Henry VI Henry VIII heroines histories Iago iambic illustrates imagery Julius Cæsar King John language Lear Love's Labour's Lost Lucrece lyrical plays Macbeth medium Merchant of Venice metaphor middle nature never Othello passage perfection Pericles period phrase poem poet Prince prose quibble redundant syllable rhetorical rhyme rhythm Richard Richard II romantic comedies Romeo and Juliet scarcely scene sequence Shake Shakespeare similar Sonnets sound speaks speare speare's speech stage strange Stratford style sweet Tempest theatre thee theme things thou Timon tragedies tragic hero trochaic trochees Twelfth Night Venus and Adonis Viola vowels Winter's Tale words writing written wrote