The Poetry of Shakespeare's Plays, Volume 10 |
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Page 39
... characteristic , almost peculiar to them ; and as there are plenty of examples of a modified artificial imagery in the later plays , particularly in the latest of all , so there is a host of brief and original , vivid and observed ...
... characteristic , almost peculiar to them ; and as there are plenty of examples of a modified artificial imagery in the later plays , particularly in the latest of all , so there is a host of brief and original , vivid and observed ...
Page 74
... characteristic , the high proportion of rhyming dialogue , at least in the first four . In Love's Labour's Lost the proportion of pentameter rhyme to pentameter verse as a whole is 62 per cent , in A Midsummer Night's Dream 43 per cent ...
... characteristic , the high proportion of rhyming dialogue , at least in the first four . In Love's Labour's Lost the proportion of pentameter rhyme to pentameter verse as a whole is 62 per cent , in A Midsummer Night's Dream 43 per cent ...
Page 86
... characteristic , or at least a more prominent characteristic , of the early poetry than assonance , I As in so many other ways , Keats comes nearest to Shakespeare in this quality of line and phrase : And be among her cloudy trophies ...
... characteristic , or at least a more prominent characteristic , of the early poetry than assonance , I As in so many other ways , Keats comes nearest to Shakespeare in this quality of line and phrase : And be among her cloudy trophies ...
Contents
Chapter Page | vii |
EARLY PLAYS AND POEMS | 53 |
SONNETS AND LYRICAL PLAYS | 74 |
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Common terms and phrases
action alliteration Antony and Cleopatra assonance assonantal audience beauty blank verse character characteristic Comedy of Errors conceit Coriolanus Cymbeline death developed diction doth dramatic poetry dramatist early plays element emotions example eyes Falstaff feminine ending Fletcher Hamlet hand harmonized hath heart Henry VI Henry VIII heroines histories Iago iambic illustrates imagery Julius Cæsar King John language Lear Love's Labour's Lost Lucrece lyrical plays Macbeth medium Merchant of Venice metaphor middle nature never Othello passage perfection Pericles period phrase poem poet Prince prose quibble redundant syllable rhetorical rhyme rhythm Richard Richard II romantic comedies Romeo and Juliet scarcely scene sequence Shake Shakespeare similar Sonnets sound speaks speare speare's speech stage strange Stratford style sweet Tempest theatre thee theme things thou Timon tragedies tragic hero trochaic trochees Twelfth Night Venus and Adonis Viola vowels Winter's Tale words writing written wrote