The Poetry of Shakespeare's Plays, Volume 10 |
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Page 28
... become dramatic poetry . Viola speaks : I see you what you are , you are too proud ; But , if you were the devil ... becomes steadily more frequent as his style develops ; in the earliest plays about one line in seven has a feminine ...
... become dramatic poetry . Viola speaks : I see you what you are , you are too proud ; But , if you were the devil ... becomes steadily more frequent as his style develops ; in the earliest plays about one line in seven has a feminine ...
Page 70
... becomes progressively more assertive , but it is not the result only of the greater naturalism of diction and imagery ; it is in the verse as a whole . The earliest verse is essentially a succession of self - contained lines ...
... becomes progressively more assertive , but it is not the result only of the greater naturalism of diction and imagery ; it is in the verse as a whole . The earliest verse is essentially a succession of self - contained lines ...
Page 92
... becomes smaller as his work becomes more dramatic ; or , to put it the other way round , his work becomes more dramatic because the verse becomes less obviously poetical ; which in turn is only another way of saying that the tempo of ...
... becomes smaller as his work becomes more dramatic ; or , to put it the other way round , his work becomes more dramatic because the verse becomes less obviously poetical ; which in turn is only another way of saying that the tempo of ...
Contents
Chapter Page | vii |
EARLY PLAYS AND POEMS | 53 |
SONNETS AND LYRICAL PLAYS | 74 |
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action alliteration Antony and Cleopatra assonance assonantal audience beauty blank verse character characteristic Comedy of Errors conceit Coriolanus Cymbeline death developed diction doth dramatic poetry dramatist early plays element emotions example eyes Falstaff feminine ending Fletcher Hamlet hand harmonized hath heart Henry VI Henry VIII heroines histories Iago iambic illustrates imagery Julius Cæsar King John language Lear Love's Labour's Lost Lucrece lyrical plays Macbeth medium Merchant of Venice metaphor middle nature never Othello passage perfection Pericles period phrase poem poet Prince prose quibble redundant syllable rhetorical rhyme rhythm Richard Richard II romantic comedies Romeo and Juliet scarcely scene sequence Shake Shakespeare similar Sonnets sound speaks speare speare's speech stage strange Stratford style sweet Tempest theatre thee theme things thou Timon tragedies tragic hero trochaic trochees Twelfth Night Venus and Adonis Viola vowels Winter's Tale words writing written wrote