The Poetry of Shakespeare's Plays, Volume 10 |
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Page 30
... Antony and Cleopatra , which have forty - four and twenty- eight respectively . There are more light endings , an average of about five in the plays before Antony and Cleopatra , which again leaps to seventy - one . If now we begin to ...
... Antony and Cleopatra , which have forty - four and twenty- eight respectively . There are more light endings , an average of about five in the plays before Antony and Cleopatra , which again leaps to seventy - one . If now we begin to ...
Page 162
... Antony and Cleopatra that Shakespeare brings this counterpoint to perfection , by the full exploitation of the redundant syllable and mid - line pause . The interpenetration of the play by harmonizing elements is carried much further ...
... Antony and Cleopatra that Shakespeare brings this counterpoint to perfection , by the full exploitation of the redundant syllable and mid - line pause . The interpenetration of the play by harmonizing elements is carried much further ...
Page 166
... Antony , Cleopatra can make a climax out of plates and pockets , which by all the rules should be the profoundest bathos , and when she dies Charmian makes tragic poetry out of ' Your crown's awry ' . North nobly describes the death of ...
... Antony , Cleopatra can make a climax out of plates and pockets , which by all the rules should be the profoundest bathos , and when she dies Charmian makes tragic poetry out of ' Your crown's awry ' . North nobly describes the death of ...
Contents
Chapter Page | vii |
EARLY PLAYS AND POEMS | 53 |
SONNETS AND LYRICAL PLAYS | 74 |
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Common terms and phrases
action alliteration Antony and Cleopatra assonance assonantal audience beauty blank verse character characteristic Comedy of Errors conceit Coriolanus Cymbeline death developed diction doth dramatic poetry dramatist early plays element emotions example eyes Falstaff feminine ending Fletcher Hamlet hand harmonized hath heart Henry VI Henry VIII heroines histories Iago iambic illustrates imagery Julius Cæsar King John language Lear Love's Labour's Lost Lucrece lyrical plays Macbeth medium Merchant of Venice metaphor middle nature never Othello passage perfection Pericles period phrase poem poet Prince prose quibble redundant syllable rhetorical rhyme rhythm Richard Richard II romantic comedies Romeo and Juliet scarcely scene sequence Shake Shakespeare similar Sonnets sound speaks speare speare's speech stage strange Stratford style sweet Tempest theatre thee theme things thou Timon tragedies tragic hero trochaic trochees Twelfth Night Venus and Adonis Viola vowels Winter's Tale words writing written wrote