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| VERO GREGORIANO-MOGUNTINO ACCOMODATUS | JUSSU ET
AUTORITATE | Eminentissimi ac Reverendissimi Domini
| D. LOTHARII | FRIDERICI | SANCTÆ SEDIS MOGUNTINÆ

ARCHI-EPISCOPI, S. R. I. PER GERMANIAM ARCHI-CANCEL-
LARII | PRINCIPIS ELECTORIS, EPISCOPI WORMAT. ET SPIR.
PRÆP. | WEISSENB. ET ODENH. DOMINI NOSTRI CLEMEN-
TISSIMI. EDITUS. | Accedentibus Festis recentioribus
pro fundatione chorali in Kiedrich reimpressus. | MO-
GUNTIÆ. M.DCLXXIII. | JUXTA EXEMPLAR CHRISTOPHORI
KÜCHLERI | TYPIS FRANCISCI SAUSEN. | MDCCCLXXI.

Quarto. 8, VIII and 616 pp. Teutonic musical notation on a staff
of 5 lines-7 staves to the full page.

Rev. J. Weber, Mainz.

H.222 m. B. 170 m.

55. MANUALE ECCLESIASTICUM | COMPLECTENS

FESTORUM

SOLEMNIORUM OFFICIA, VESPERIS TAMEN ET COMPLE-
TORIO | EXCEPTIS, PROCESSIONALE, NECNON | ORDINARIUM
MISSÆ SECUNDUM DIVERSOS MODOS, CANTUI GREGORI-
ANO- MOGUNTINO ACCOMODATUM | PRO | FUNDATIONE
CHORALI IN KIEDRICH | EDITUM. | MOGUNTIÆ | TYPIS
JOANNIS FALK III. | MDCCCLXXV.

Quarto. 8 and 500 pp.

Teutonic musical notation on a staf

of 5 lines-7 staves to the full page.

Rev. J. Weber, Mainz. H. 222 m. B. 170 m.

These four volumes were printed at the expense of the late Sir John Sutton, of Norwood Park, for the choral foundation established by him in the old church of Kiedrich, in the Rheingau, the restoration and embellishinent of which were also due to his munificence.

56. Historia horarum canonicarum de S. Hieronymo et de S. Anna, cum aliquibus Hymnis sapphicis Augustae Vindelicorum in aedibus Erhardi Ratdolt. 17 Septembris. Folio.

1512,

This volume, of the greatest rarity, contains 38 ff., printed in black and red from type of 13 founts, with Teutonic musical notation on a staff of 4 red lines.

The title is as follows: DIVO HIERONYMO | SACRVM | DIVAE ANNAE SACRVM | Historia horarum canonicarum De | S. Hieronymo vario carminum | genere contexta. confirmata: et in | dulgentijs dotata a Reuerendis- | simo Archiepiscopo Moguntinensi. | Historia horarum canonicarum De. S. Anna | etiam vario carminum genere composita. | Hymni Sapphici | De sancto Georgio martyre. | De sancta Barbara virgine et martyre. | De Conceptione immaculata. b. virginis. | De sancto Thoma apostolo. De sanctis Cosma et Damiano. cum eorundem succincta | historia elegiaco carmine descripta. | De sancto Leonharto confess. De sancto Beato confess. | De eodem hymnus duobus aschlepiadeis. Pherecra- tio et Gliconico versu compactus.

The colophon (f. 37, col. 1, below 1. 20) runs thus: Augustae vindelicorum in aedibus Erhardi | Ratdolt / cuius studio et impensa: arte poli- | tiori. suis aeriis: notaminibus musicis et | XIII formis characterum diuersis: opus hoc: ab | archetypo excusum est / Anno Salutis. M.D. | XII. Quintodecimo Kalendas Octobres. Si uis Saluus esse | Sensuum oblectamenta neglegito Molesti- as animi et corporis expellito Melodiam quae- | rulam vel leuem reicito Grauioribus canti | bus et fidibus incumbito Mentem ad subli- | mia Deum que pro viribus erigito. | Erhard Ratdolt's well-known device, in red and black, is printed on the

verso.

This curious volume is not only a remarkable specimen of typography, but is of considerable interest as affording an example of the encouragement given by high ecclesiastical dignitaries to those who, though within the Church, were doing as much as, if not more, to sap the foundations of the Christian religion, than even Huss or Luther. The office of S. Hierome, composed for the Abbey of Zwiefalten in 1509 by Henry Bebel of Justingen, Leonard Clement of Ulm, archpriest of Zwiefalten, and John Cassel of Gyslingen, was approved, indulgenced and promulgated by Uriel, archbishop of Mentz, 11th May, 1510. The office of S. Anne was entirely composed by Bebel; the melodies and musical notation for both offices were written by Clement. The hymns that follow in honour of S. George, S. Barbara, S. Thomas the apostle, SS. Cosmas and Damian, are by Bebel, and those in honour of S. Clement and S. Beatus, by Clement. The dedicatory epistle to Leonard Dürr, abbot of Adelberg and visitor of the Premonstratensian order in Suabia, Bavaria, and Switzerland, is followed by a letter of Bebel's addressed to all archbishops, bishops, and prelates in Germany.

Anderson's College, Glasgow. H. 279 m. B. 190 m. Disfigured

by having a number of scraps pasted on to the leaves wherever blank spaces occurred.

57. Cantorinus Romanus. Impressus Venetiis per Lucantonium de Giunta Florentinum.

Octavo.

1513, 3 Decembris.

This compendium consists of 120 ff., printed in red and black from type of 3 founts, 30 long lines to the full page, with Latin musical notation on a staff of 4 red lines-6 staves to the full page. With running title, but without catchwords. There are 15 quires with signatures a (a a ij a iij a iiij)8-p8 numbered ( ) 2-120. The title is as follows: Compendium musices | confectum ad faciliorem instructionem can- | tum choralem discentium: necnon ad intro- ductionem huius libelli: qui Cantorinus | intitulatur : omnibus diuino cultui de- | ditis perutilis et necessarius: vt in tabula | hic immediate sequenti latius apparet. The colophon (f. 120) runs thus: Finis Cantorini Romani: impressi | Uenetijs per dominum Lucantonium de | Giunta Florentinum: Anno | domini millesimo quingente | simo tertiodecimo | die vero tertia | decembris..+.

The volume is adorned with six cuts, the printer's device, three storied, and a large number of ornamental versal letters.

James E. Matthew. H. 127 m. B.90 m.

58. Cantorinus et Processionarius secundum ritum congregationis Cassinensis, alias Sancte Iustine, ordinis Sancti Benedicti. Venetiis excusus in officina Luce

antonii Iunte Florentini. 1535, mense Februario.

Octavo.

This compendium consists of 92 ff., printed in red and black
from type of three founts, 31 long lines to the full page, with
Latin musical notation on a staff of 4 red lines-6 staves to the
full page.
With running title, but without catchwords. There
are II quires with signatures A8-K8 L12 numbered () -92.
Title: Cantus monastici for- | mula nouiter impressa: ac in
melius | redacta: cui que deerant adiuncta : | que vero superflua
videbantur | adempta sunt: cum tono lamen | tationis hieremie
prophe te et aliquibus alijs can- tibus mensuratis ipsi | tempori

congruis. Colophon (f. 92): Cantorinus et processionarius per totum annum in diuinis officijs celebrandis secundum | ritum congregationis cassinensis alias san- cte Justine ordinis sancti benedicti diligentissime compositus et ordinatus | cum multis in eo de nouo apposi- | tis studiosissime reuisus: et in | officina Luceantonij Jun ❘ te florentini Uenetijs ex- | cusus Anno

domini M.D.xxxv. men- se februario.

The volume is adorned with a cut (H.115 m. B. 80 m.) representing SS. Benedict, Placid, and Maur and two groups of kneeling monks. Beneath is the legend: Hic stare fecit cantores contra altare. Giunta's device is on the first page, below the title, and there are also three storied versal letters.

L. Rosenthal, Munich. H. 148 m. B.93 m. Title mended.

59. Sacerdotale ad consuetudinem sacrosancte Romane ecclesie aliarumque ecclesiarum. Venetiis. In officina Petri Liechtenstein, Agrippinensis. 1567. Quarto.

The fifth edition of the Sacerdotale drawn up by Albert
Castellanus.

The volume consists of 166 (4ff. and 328pp.) ff.—39 long lines to the full page; with Latin musical notation on a staff of 4 red lines-9 staves to the page.

The title is as follows: Sacerdotale ad consuetudinem Sacro Sancte | Romane Ecclesie: aliarumque ecclesiarum: Ex apostolicæ bibliothecæ, ac sanctorum patrum iurium sanctionibus, et ec- | clesiasticorum doctorum scriptis, ad optatum commodum quorumcunque sacerdotum, collectum : atque summorum pontificum | authoritate multoties approbatum: omni nuper | diligentia emendatum et auctum. | Jn quo, non solum omnium Sacramentorum, quæ a sacerdo- | tibus fieri possunt, officia: verumetiam Resolutiones omnium | dubiorum ad ea pertinentium: et excommu- | nicationum Canones: | Cum breui illarum et absoluta declaratione ex sacris doctoribus collecta, con- | tinentur. Quibus etiam multa alia Sacerdotibus valde utilia ac | necessaria sunt addita: quæ in alijs hactenus impressis minime reperiuntur. | M. D. LXVII. Uenetijs. Jn Officina Petri Liechtenstein | Agrippinensis.

The title-page is adorned with two cuts: one at the head of the page representing the compiler and editor of this book presenting it to the Pope surrounded by cardinals, and the other, the Holy Lamb in a circular medallion.

James Walker. On the title-page is this note: R. Dominus Simpertus Morhaubt in Fridberg plebanus me cum sociis 274 monasterio S. Crucis Augustæ testamento legavit anno 1580. Inside the cover is the Ex libris of A. Fenwyke.

ZACCARIA, I, 144.

:

60. SACERDOTALE | Ad consuetudinem S. Romanæ Ecclesiæ aliarumque | ecclesiarum ex Apostolicæ bibliothecæ ac Sanctorum | Patrum iurium sanctionibus, & ecclesiastico- | rum doctorum scriptis, ad optatum quo- rumcunque sacerdotum commo- | dum, collectum | ATQVE SVMMORVM PONTIFICVM | authoritate multoties approbatum: | Summa nuper cura iuxta S. TRIDENTINI Concilij | Sanctiones emendatum, & auctum | In quo omnium sacramentorum officia, resolutionesque omnium dubiorum ad ea | pertinentium, excommunicationum Canones, cum breui illarum & abso- luta declaratione ex sacris Doctoribus collecta, continentur. Quibus etiam Rubricæ generales tum Missalis tumi Breuiarij Noui, mul- | taque alia sacerdotibus ualde utilia ac necessaria, sunt addita: quæ | in alijs hactenus impressis desiderabantur. | Cut: (H. 56 m. B. 54 m.), a pope kneeling before an altar. | Venetiis, apud Guerræos fratres, & socios. | M D LXXVI. Quarto.

The volume contains 378 (4 and 374) ff., printed in red and black,-37 long lines to the full page, with 23 cuts printed from 13 blocks, ornamental versal letters, Latin musical notation on a staff of 4 red lines,-7 staves to the full page.

Ex

The Compendium Musice begins on f. 319 v. and ends on f. 328.
The Bodleian Library, Oxford. H. 217 m. B. 155 m.
Bibl. Academiae Herbipolensis.

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