A Grammar of the English Language: Adpated to the Use of Schools and Academies |
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Page iv
... . To aid the learner in acquiring correct habits of analysis and parsing , numerous models , embracing all the varieties of construction and parts of speech , will be found in the different parts of the book iv PREFACE .
... . To aid the learner in acquiring correct habits of analysis and parsing , numerous models , embracing all the varieties of construction and parts of speech , will be found in the different parts of the book iv PREFACE .
Page viii
... Models for Parsing PRONOUNS . 68. Definitions and Distinctions 69. Classes of Pronouns 70. Personal Pronouns 71. Exercise 72. Declension of the Personal Pronouns 73. Exercise 74. Relative Pronouns 75. Simple Relatives 76. Compound ...
... Models for Parsing PRONOUNS . 68. Definitions and Distinctions 69. Classes of Pronouns 70. Personal Pronouns 71. Exercise 72. Declension of the Personal Pronouns 73. Exercise 74. Relative Pronouns 75. Simple Relatives 76. Compound ...
Page xi
... Models for general Analysis 194. Directions for the Analysis of Elements 195. Models for the Analysis of Sentences and their Elements 196. Exercise 173 173 174 175 • 180 SYNTAX OF WORDS . 197. Rules for Construction 181 · · • • RULES ...
... Models for general Analysis 194. Directions for the Analysis of Elements 195. Models for the Analysis of Sentences and their Elements 196. Exercise 173 173 174 175 • 180 SYNTAX OF WORDS . 197. Rules for Construction 181 · · • • RULES ...
Page 19
... MODEL . M -- t mete : -three sounds and four letters . The final e is silent . 4. In the following examples , tell what words contain equivalents of a in name ; of a in ball ; of a in fare ; of e in mete ; of e in end ; of i in iron ...
... MODEL . M -- t mete : -three sounds and four letters . The final e is silent . 4. In the following examples , tell what words contain equivalents of a in name ; of a in ball ; of a in fare ; of e in mete ; of e in end ; of i in iron ...
Page 22
... model , o , and not e , is modified by d . 5. The process of combining elementary parts is called synthesis , and that of ... MODELS FOR ANALYZING SYLLABLES . An ... is a syllable consisting of two elements : — A n ... is the essential ...
... model , o , and not e , is modified by d . 5. The process of combining elementary parts is called synthesis , and that of ... MODELS FOR ANALYZING SYLLABLES . An ... is a syllable consisting of two elements : — A n ... is the essential ...
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Common terms and phrases
abridged propositions according to Rule adjective element adverbial element antecedent apposition attribute auxiliary verb called common noun complex sentence compound sentence Conjugation conjunctive adverbs consonant construction coördinate conjunction copula Defective verbs denotes dependent Exercise expressed following examples following sentences future FUTURE PERFECT TENSE give grammatical group of words hast hence idea indefinite indicative mode infinitive interjection interrogative pronoun intransitive joined letter limiting adjective loved masculine gender Models for parsing modifies nominative nominative absolute noun or pronoun number and person object passive voice past participle PAST TENSE personal pronouns phrase Plur plural possessive PRESENT PERFECT TENSE present tense principal clause Prog qualifying adjective refers relation relative pronoun represent Rule VIII Rule XV second person signification simple sentence Sing singular number sometimes speaker subjunctive subordinate clause Subordinate connectives subordinate elements substantive subvocal syllable Tell third person thou transitive verb vowel write written
Popular passages
Page 44 - Thou, too, sail on, O Ship of State! Sail on, O UNION, strong and great! Humanity with all its fears, With all the hopes of future years, Is hanging breathless on thy fate...
Page 264 - And nights devoid of ease, Still heard in his soul the music Of wonderful melodies. Such songs have power to quiet The restless pulse of care, And come like the benediction That follows after prayer. Then read from the treasured volume The poem of thy choice, And lend to the rhyme of the poet The beauty of thy voice.
Page 262 - Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
Page 130 - Breathes there the man, with soul so dead, Who never to himself hath said, This is my own, my native land ? Whose heart hath ne'er within him burned, As home his footsteps he hath turned, From wandering on a foreign strand...
Page 264 - Such songs have power to quiet The restless pulse of care, And come like the benediction That follows after prayer. Then read from the treasured volume The poem of thy choice, And lend to the rhyme of the poet The beauty of thy voice. And the night shall be filled with music, And the cares that infest the day, Shall fold their tents like the Arabs, And as silently steal away.
Page 86 - And furious every charger neighed To join the dreadful revelry. Then shook the hills with thunder riven: Then rushed the steed to battle driven; And louder than the bolts of Heaven Far flashed the red artillery.
Page 263 - Or of the eternal co-eternal beam, May I express thee unblamed ? since God is light, And never but in unapproached light Dwelt from eternity, dwelt then in thee, Bright effluence of bright essence increate. Or hear'st thou rather pure ethereal stream, Whose fountain who shall tell?
Page 263 - Aonian maids Delight no more — O Thou my voice inspire Who touched Isaiah's hallowed lips with fire ! Rapt into future times, the bard begun, A virgin shall conceive, a virgin bear a son ! From Jesse's Root behold a Branch arise,* Whose sacred flower with fragrance fills the skies.
Page 105 - LORD, and what shall this man do ?" Ask'st thou, Christian, for thy friend ? If his love for Christ be true, Christ hath told thee of his end : This is he whom God approves, This is he whom Jesus loves.
Page 71 - Ye Ice-falls! ye that from the mountain's brow Adown enormous ravines slope amain Torrents, methinks, that heard a mighty voice, And stopped at once amid their maddest plunge! Motionless torrents! silent cataracts! Who made you glorious as the Gates of Heaven Beneath the keen full moon? Who bade the sun Clothe you with rainbows? Who, with living flowers Of loveliest blue, spread garlands at your feet? GOD! let the torrents, like a shout of nations, Answer! and let the ice-plains echo, GOD!