Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
From inside the book
Results 1-3 of 63
Page 50
... whole , and life as a whole can inspire fear least of all . It must be recalled that the image of death in medieval and Renaissance grotesque ( and in painting , also , as in Holbein's or 19 Geburt und Grab , Ein ewiges meer Ein ...
... whole , and life as a whole can inspire fear least of all . It must be recalled that the image of death in medieval and Renaissance grotesque ( and in painting , also , as in Holbein's or 19 Geburt und Grab , Ein ewiges meer Ein ...
Page 53
... whole in which it had been linked to that other , younger link in the chain of growth and development . The result is a broken grotesque figure , the demon of fertility with phallus cut off and belly crushed . Hence all these sterile ...
... whole in which it had been linked to that other , younger link in the chain of growth and development . The result is a broken grotesque figure , the demon of fertility with phallus cut off and belly crushed . Hence all these sterile ...
Page 256
... whole , the dying link torn from the link that is born . The whole of the people and of the world is triumphantly gay and fearless . This whole speaks in all carnival images ; it reigns in the very atmosphere of this feast , making ...
... whole , the dying link torn from the link that is born . The whole of the people and of the world is triumphantly gay and fearless . This whole speaks in all carnival images ; it reigns in the very atmosphere of this feast , making ...
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole