Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 188
... speech did not possess this power in the time of Rabelais . They did not then transgress the limits of the established language . Unofficial ( unprintable ) argot also varied in force . Every age has its own norms of official speech and ...
... speech did not possess this power in the time of Rabelais . They did not then transgress the limits of the established language . Unofficial ( unprintable ) argot also varied in force . Every age has its own norms of official speech and ...
Page 189
... speech with a flow of oaths ; he cannot make a single step with- out them . When Ponocrates asks him why he uses them , the friar answers that they adorn his speech . They are the flowers of Cicero's rhetoric . Neither does Panurge ...
... speech with a flow of oaths ; he cannot make a single step with- out them . When Ponocrates asks him why he uses them , the friar answers that they adorn his speech . They are the flowers of Cicero's rhetoric . Neither does Panurge ...
Page 422
... speech have almost lost their original meaning , have broken with folk culture and have become in most cases obsolete vestiges of the past . But in the days of Rabelais the role of the unpublicized spheres was entirely differ- ent ...
... speech have almost lost their original meaning , have broken with folk culture and have become in most cases obsolete vestiges of the past . But in the days of Rabelais the role of the unpublicized spheres was entirely differ- ent ...
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole