Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
From inside the book
Results 1-3 of 64
Page 89
... seen that this laughter was absolutely unof- ficial but nevertheless legalized . The rights of the fool's cap were as inviolable as those of the pileus ( the clown's headgear of the Roman Saturnalias ) . This freedom of laughter was ...
... seen that this laughter was absolutely unof- ficial but nevertheless legalized . The rights of the fool's cap were as inviolable as those of the pileus ( the clown's headgear of the Roman Saturnalias ) . This freedom of laughter was ...
Page 109
Mikhail Mikhaĭlovich Bakhtin. Rabelais ' negative aspect as seen by La Bruyère consists first of all in his sexual and ... seen , appreciated Rabelais ' morale fine . By this he means first of all " RABELAIS IN THE HISTORY OF LAUGHTER 109.
Mikhail Mikhaĭlovich Bakhtin. Rabelais ' negative aspect as seen by La Bruyère consists first of all in his sexual and ... seen , appreciated Rabelais ' morale fine . By this he means first of all " RABELAIS IN THE HISTORY OF LAUGHTER 109.
Page 184
... seen in the moralités , farces , soties , and other genres where symbolically broad kitchen and banquet scenes play a considerable part . We have already mentioned the meaning of food and kitchen utensils in such popular - festive forms ...
... seen in the moralités , farces , soties , and other genres where symbolically broad kitchen and banquet scenes play a considerable part . We have already mentioned the meaning of food and kitchen utensils in such popular - festive forms ...
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole