Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 14
... parody is the " Grammatical Virgil Maro " ( Vergi- lius Maro Grammaticus ) , a semiparodical learned treatise on Latin grammar which is at the same time a parody of the scholarly wis- dom and of the scientific methods of the early ...
... parody is the " Grammatical Virgil Maro " ( Vergi- lius Maro Grammaticus ) , a semiparodical learned treatise on Latin grammar which is at the same time a parody of the scholarly wis- dom and of the scientific methods of the early ...
Page 84
Mikhail Mikhaĭlovich Bakhtin. parodies , some of which will be described later . We shall merely define the place of sacred parody within the culture of medieval folk humor as a whole.30 Medieval parody , especially before the twelfth ...
Mikhail Mikhaĭlovich Bakhtin. parodies , some of which will be described later . We shall merely define the place of sacred parody within the culture of medieval folk humor as a whole.30 Medieval parody , especially before the twelfth ...
Page 379
... parody of Biblical texts . We have seen in the prologues the parody of ecclesiastical systems of persuasion and methods of establishing truth . This is why the swab - episode parody of the beatitude of the saints and the just in heaven ...
... parody of Biblical texts . We have seen in the prologues the parody of ecclesiastical systems of persuasion and methods of establishing truth . This is why the swab - episode parody of the beatitude of the saints and the just in heaven ...
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole