Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 149
... image of excrement . ( These images were already combined in the popular expression he quotes . ) He saw no sacrilege in doing so and did not anticipate the stylistic abyss that was to draw the line between the two terms for the men of ...
... image of excrement . ( These images were already combined in the popular expression he quotes . ) He saw no sacrilege in doing so and did not anticipate the stylistic abyss that was to draw the line between the two terms for the men of ...
Page 282
... images symbolized the working people , continuing to conquer life and food through struggle and labor and to absorb only that part of the world that has been con- quered and mastered . In such a system the banquet images preserve their ...
... images symbolized the working people , continuing to conquer life and food through struggle and labor and to absorb only that part of the world that has been con- quered and mastered . In such a system the banquet images preserve their ...
Page 325
... image of swallowing , this most ancient symbol of death and destruction . At the same time , a series of banquet images are also linked to the mouth ( to the teeth and the gullet ) . These are some of the central images of the popular ...
... image of swallowing , this most ancient symbol of death and destruction . At the same time , a series of banquet images are also linked to the mouth ( to the teeth and the gullet ) . These are some of the central images of the popular ...
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole