Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 25
... historic phenomena . The cyclical charac- ter is superseded by the sense of historic time . The grotesque im- ages with their relation to changing time and their ambivalence become the means for the artistic and ideological expression ...
... historic phenomena . The cyclical charac- ter is superseded by the sense of historic time . The grotesque im- ages with their relation to changing time and their ambivalence become the means for the artistic and ideological expression ...
Page 112
... historic figures and events of political and court life was started as early as the six- teenth century , was transmitted to the seventeenth century , and was adopted by the historic - allegorical method . In the seventeenth century ...
... historic figures and events of political and court life was started as early as the six- teenth century , was transmitted to the seventeenth century , and was adopted by the historic - allegorical method . In the seventeenth century ...
Page 435
... historic time , of the change of epochs in world history . In Rabelais this element of time and of historic change deeply pervades all his images of the material bodily lower stratum and lends them historic coloring . In his work the ...
... historic time , of the change of epochs in world history . In Rabelais this element of time and of historic change deeply pervades all his images of the material bodily lower stratum and lends them historic coloring . In his work the ...
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole