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Discussing grotesque , Flögel does not define or limit the grotesque concept
either from the historic or from the systematic point of view . He attributes to this
genre all that which deviates from the usual aesthetic forms and which sharply ...
first , the Romanticists searched for popular roots ; second , they never attributed
to the grotesque a purely satirical function . Our analysis of this Romantic phase
is , of course , far from complete . Moreover it bears a rather one - sided and even
In the example of grotesque the object of mockery is a specific negative
phenomenon , something that “ should not exist ” ( nichtseinsollendes ) .
Schneegans sees precisely in this fact the basic nature of the grotesque : it
exaggerates and ...
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My recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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Mikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
ONE Rabelais in the History of Laughter
TWO The Language of the Marketplace in Rabelais
THREE PopularFestive Forms and Images in Rabelais
5 other sections not shown