Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 47
We have already shown that the medieval and Renaissance grotesque , filled
with the spirit of carnival , liberates the world from all that is dark and terrifying ; it
takes away all fears and is therefore completely gay and bright . All that was ...
We have already shown that the medieval and Renaissance grotesque , filled
with the spirit of carnival , liberates the world from all that is dark and terrifying ; it
takes away all fears and is therefore completely gay and bright . All that was ...
Page 109
The combination of human and animal forms is one of the most ancient images ,
but it is completely alien to La Bruyère , the faithful spokesman of his time . He is
used to conceive being as something finished , stable , completed , clear , and ...
The combination of human and animal forms is one of the most ancient images ,
but it is completely alien to La Bruyère , the faithful spokesman of his time . He is
used to conceive being as something finished , stable , completed , clear , and ...
Page 186
This eulogy of incombustible hemp is borrowed from Pliny ' s praise of flax in his "
Natural History . ” But as in all cases when Rabelais borrowed from other sources
, he completely transformed the writing . In his own context it is marked with his ...
This eulogy of incombustible hemp is borrowed from Pliny ' s praise of flax in his "
Natural History . ” But as in all cases when Rabelais borrowed from other sources
, he completely transformed the writing . In his own context it is marked with his ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
LibraryThing Review
User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 31 |
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
6 other sections not shown
Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole