Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 20
... Middle Ages are nothing but a selection of all the degrading , earthy details taken from the Bible , the Gospels , and other sacred texts . In the comic dialogues of Solomon with Morolf which were popular in the Middle Ages , Solomon's ...
... Middle Ages are nothing but a selection of all the degrading , earthy details taken from the Bible , the Gospels , and other sacred texts . In the comic dialogues of Solomon with Morolf which were popular in the Middle Ages , Solomon's ...
Page 57
... Middle Ages and found a multiform expression in concrete sensual ele- ments of folk culture , both in ritual and spectacle . This was the second , festive life of the Middle Ages . Many figures described by Burdach as preparing the ...
... Middle Ages and found a multiform expression in concrete sensual ele- ments of folk culture , both in ritual and spectacle . This was the second , festive life of the Middle Ages . Many figures described by Burdach as preparing the ...
Page 121
... Middle Ages and in the Re- naissance . Moreover , we shall examine it not in its entirety but only within the limits permitted by the analysis of Rabelais ' work . In this respect our study can offer only a certain amount of mate- rial ...
... Middle Ages and in the Re- naissance . Moreover , we shall examine it not in its entirety but only within the limits permitted by the analysis of Rabelais ' work . In this respect our study can offer only a certain amount of mate- rial ...
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole