Rabelais and His WorldA useful reading for those interested in problems of language and text and in cultural interpretation." |
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Page 208
... chapter . All the scenes of thrashing in Rabelais ' novel bear , as we have said , a similar character . They are all profoundly ambivalent ; everything in them is done ... chapter ) , he ordered them to cut the throats 208 CHAPTER THREE.
... chapter . All the scenes of thrashing in Rabelais ' novel bear , as we have said , a similar character . They are all profoundly ambivalent ; everything in them is done ... chapter ) , he ordered them to cut the throats 208 CHAPTER THREE.
Page 266
... Chapter 1 ) ; crioit comme tous les diables ( Book 1 , Chapter 13 ) ; crient et urlent comme diables , pauvre diable in various places . The link of these words with the diableries is quite understandable : they all belong to the same ...
... Chapter 1 ) ; crioit comme tous les diables ( Book 1 , Chapter 13 ) ; crient et urlent comme diables , pauvre diable in various places . The link of these words with the diableries is quite understandable : they all belong to the same ...
Page 423
... chapter of Gargantua which presents the young giant's amusements in a series of proverbs , most of them turned inside out . Another example of this genre is offered in Chapter 2 of the same book , entitled " Anti- doted Flummeries ...
... chapter of Gargantua which presents the young giant's amusements in a series of proverbs , most of them turned inside out . Another example of this genre is offered in Chapter 2 of the same book , entitled " Anti- doted Flummeries ...
Contents
INTRODUCTION | 1 |
ONE Rabelais in the History of Laughter | 59 |
TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book called carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle Rabelais Rabelaisian realism Renaissance renewal represented role satire seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole