Breathed warmth on the cold bosom of the air, Fell o'er that snowy child, and wrapped from sight Which ever waked when I might sleep, to twine Thine image with her memory dear. Again We meet; exempted now from mortal fear or pain. 25. "When the consuming flames had wrapped ye round, 'The hope which I had cherished went away; I fell in agony on the senseless ground, And hid mine eyes in dust; and far astray My mind was gone, when, bright like dawning day, The Spectre of the Plague before me flew, And breathed upon my lips, and seemed to say, 'They wait for thee, beloved!'-then I knew The death-mark on my breast, and became calm anew. 26. "It was the calm of love-for I was dying. I saw the black and half-extinguished pyre In its own grey and shrunken ashes lying; The pitchy smoke of the departed fire Still hung in many a hollow dome and spire Above the towers, like night; beneath whose shade, Awed by the ending of their own desire, The armies stood; a vacancy was made In expectation's depth, and so they stood dismayed. 27. "The frightful silence of that altered mood The tortures of the dying clove alone, Till one uprose among the multitude, And said: The flood of time is rolling on; Yon smoke has faded from the firmament,- When such can die, and he live on and linger here. 29. "Ay, ye may fear-not now the pestilence, And to long ages shall this hour be known; With steps thus slow-therefore shall ye behold My brain grew dark in death, and yet to me Calm dwellings of the free and happy dead, Then at the helm we took our seat, the while On the swift breath of morn, the vessel flew Chased by the thronging winds whose viewless feet, Borne like a cloud through morn and noon and even, That river's shapes and shadows changing ever! Where the broad sunrise filled with deepening gold Its whirlpools where all hues did spread and quiver, L And where melodious falls did burst and shiver Or, when the moonlight poured a holier day, With cyclopean piles, whose turrets proud, The homes of the departed, dimly frowned O'er the bright waves which girt their dark foundations round. 36. Sometimes between the wide and flowering meadows Mile after mile we sailed, and 'twas delight To see far off the sunbeams chase the shadows And dark-green chasms shades beautiful and white Of love and wisdom, which would overflow In converse wild and sweet and wonderful, And in quick smiles whose light would come and go Of sudden tears, and in the mute caress For a deep shade was cleft, and we did know 38. Three days and nights we sailed, as thought and feeling On the fourth day, wild as a wind-wrought sea 39. Steady and swift, where the waves rolled like mountains Made the air sweep in whirlwinds from the shore,— Calm as a shade, the boat of that fair child Securely fled that rapid stress before, Amid the topmost spray, and sunbows wild Wreathed in the silver mist. In joy and pride we smiled. 40. The torrent of that wide and raging river Is passed, and our aerial speed suspended. Where its wild surges with the lake were blended,— (Our bark hung there-as on a line, suspended Between two heavens)-that windless waveless lake Which four great cataracts from four vales, attended By mists, aye feed: from rocks and clouds they break, And of that azure sea a silent refuge make. 41. Motionless resting on the lake awhile, I saw its marge of snow-bright mountains rear Which issued thence drawn nearer and more near, The charmed boat approached, and there its haven found. THE story of Rosalind and Helen is undoubtedly not an attempt in the highest style of poetry. It is in no degree calculated to excite profound meditation; and, if, by interesting the affections and amusing the imagination, it awaken a certain ideal melancholy favourable to the reception of more important impressions, it will produce in the reader all that the writer experienced in the composition. I resigned myself, as I wrote, to the impulse of the feelings which moulded the conception of the story; and this impulse determined the pauses of a measure which only pretends to be regular inasmuch as it corresponds with and expresses the irregularity of the imaginations which inspire it. I do not know which of the few scattered poems I left in England will be selected by my bookseller to add to this collection. One, which I sent from Italy, was written after a day's excursion among those lovely mountains which surround what was once the retreat, and where is now the sepulchre, of Petrarch. If any one is inclined to condemn the insertion of the introductory lines, which image forth the sudden relief of a state of deep despondency by the radiant visions disclosed by the sudden burst of an Italian sunrise in autumn, on the highest peak of those delightful mountains, I can only offer as my excuse that they were not erased at the request of a dear friend with whom added years of intercourse only add to my apprehension of its value, and who would have had more right than any one to complain that she has not been able to extinguish in me the very power of delineating sadness. |