Page images
PDF
EPUB

II

MARRIAGE—THE MARRIAGE CEREMONY

73

pieces of bread to the tribesmen in lieu of the marriage feast.

Among the wild Māria 17. Marriage.

Marriage is generally adult. Gonds of Bastar the consent of the girl is considered an Arrangeessential preliminary to the union. She gives it before a ment of council of elders, and if necessary is allowed time to make matches. up her mind. The boy must also agree to the match. Elsewhere matches are arranged by the parents, and a brideprice which amounts to a fairly substantial sum in comparison with the means of the parties is usually paid. But still the girls have a considerable amount of freedom. It is generally considered that if a girl goes of her own accord and pours turmeric and water over a man, it is a valid marriage and he can take her to live in his house. Married women also sometimes do this to another man if they wish to leave their husbands.

ceremony.

The most distinctive feature of a Gond marriage is that 18. The marriage the procession usually starts from the bride's house and the wedding is held at that of the bridegroom, in contradistinction to the Hindu practice. It is supposed that this is a survival of the custom of marriage by capture, when the bride was carried off from her own house to the bridegroom's, and any ceremony which was requisite was necessarily held at the house of the latter. But the Gonds say that since Dulha Deo, the bridegroom god and one of the commonest village deities, was carried off by a tiger on his way to his wedding, it was decided that in future the bride must go to the bridegroom to be married in order to obviate the recurrence of such a calamity. Any risk incidental to the journey thus falls to the lady. Among the wilder Māria Gonds of Bastar the ritual is very simple. The bride's party arrive at the bridegroom's village and occupy some huts made ready for them. His father sends them provisions, including a pig and fowls, and the day passes in feasting. In the evening they go to the bridegroom's house, and the night is spent in dancing by the couple and the young people of the village. Next morning the bride's people go back again, and after another meal her parents bring her to the bridegroom's house and push her inside, asking the boy's father to take charge of her, and telling her that she now belongs to her husband's


19. Wed-

ding expenditure.

The girl

On

family and must not come back to them alone.
cries a little for form's sake and acquiesces, and the business
is over, no proper marriage rite being apparently performed at
all. Among the more civilised Mārias the couple are seated
for the ceremony side by side under a green shed, and water
is poured on them through the shed in imitation of the
fertilising action of rain. Some elder of the village places
his hands on them and the wedding is over. But Hindu
customs are gradually being adopted, and the rubbing of
powdered turmeric and water on the bodies of the bride and
bridegroom is generally essential to a proper wedding. The
following description is given of the Gonds of Kanker.
the day fixed for the marriage the pair, accompanied by
the Dosi or caste priest, proceed to a river, in the bed of
which two reeds five or six feet high are placed just so far
apart that a man can lie down between them, and tied
together with a thread at the top. The priest lies down
between the reeds, and the bride and bridegroom jump seven
times over his body. After the last jump they go a little
way off, throw aside their wet clothes, and then run naked
to a place where their dry clothes are kept; they put them
on and go home without looking back. Among the Gonds
in Khairagarh the pair are placed in two pans of a balance
and covered with blankets. The caste priest lifts up the
bridegroom's pan and her female relatives the bride's, and
walk round with them seven times, touching the marriage-
post at each time. After this they are taken outside the
village without being allowed to see each other. They are
placed standing at a little distance with a screen between
them, and liquor is spilt on the ground to make a line from
one to the other. After a time the bridegroom lifts up the
screen, rushes on the bride, gives her a blow on the back
and puts the ring on her finger, at the same time making a
noise in imitation of the cry of a goat. All the village then
indulge in bacchanalian orgies, not sparing their own

relations.

In Bastar it is said that the expenses of a wedding vary from Rs. 5 to Rs. 20 for the bride's family and from Rs. 10 to Rs. 50 for the bridegroom's, according to their means.1

1 One rupee Is. 4d.

II

WEDDING EXPENDITURE

75

In a fairly well-to-do family the expenditure of the bridegroom's family is listed as follows: liquor Rs. 20, rice Rs. 12, salt Rs. 2, two goats Rs. 2, chillies Rs. 2, ghi Rs. 4, turmeric Rs. 2, oil Rs. 3, three cloths for the bride Rs. 8, two sheets and a loin-cloth for her relatives Rs. 5, payment to the Kumhār for earthen pots Rs. 5, the bride-price Rs. IO, present to the bride's maternal uncle when she is not married to his son Rs. 2, and something for the drummers. The total of this is Rs. 76, and any expenditure on ornaments which the family can afford may be added. In wealthier localities the bride-price is Rs. 15 to 20 or more. Sometimes if the girl has been married and dies before the bride-price has been paid, her father will not allow her body to be buried until it is paid. The sum expended on a wedding probably represents the whole income of the family for at least six months, and often for a considerably longer period. In Chanda1 the bride's party on arrival at the bridegroom's village receive the Bara jawa or marriage greeting, every one present being served with a little ricewater, an onion and a piece of tobacco. At the wedding the bridegroom has a ring either of gold, silver or copper, lead not being permissible, and places this on the bride's finger. Often the bride resists and the bridegroom has to force her fist open, or he plants his foot on hers in order to control her while he gets the ring on to her finger. Elsewhere the couple hold each other by the little fingers in walking round the marriage-post, and then each places an iron ring on the other's little finger. The couple then tie strings, coloured yellow with turmeric, round each other's right wrists. On the second day they are purified with water and put on new clothes. On the third day they go to worship the god, preceded by two men who carry a chicken in a basket. This chicken is called the Dhendha or associate of the bridal couple, and corresponds to the child which in Hindu marriages is appointed as the associate of the bridegroom. Just before their arrival at the temple the village jester snatches away the chicken, and pretends to eat it. At the temple they worship the god, and deposit before him the strings coloured with turmeric which had been tied on

1 From Mr. Langhorne's monograph.

their wrists. In Chhindwara the bride is taken on a bullock to the bridegroom's house. At the wedding four people hold out a blanket in which juāri, lemons and eggs are placed, and the couple walk round this seven times, as in the Hindu bhānwar ceremony. They then go inside the house, where a chicken is torn asunder and the blood sprinkled on their heads. At the same time the bride crushes a chicken under her foot. In Mandla the bride on entering the marriage-shed kills a chicken by cutting off its head either with an axe or a knife. Then all the gods of her house enter into her and she is possessed by them, and for each one she kills a chicken, cutting off its head in the same manner. The chickens are eaten by all the members of the bride's party who have come with her, but none belonging to the bridegroom's party may partake of them. Here the marriage-post is made of the wood of the mahua tree, round which a toran or string of mango leaves is twisted, and the couple walk seven times round this. In Wardha the bride and bridegroom stand on the heap of refuse behind the house and their heads are knocked together. In Bhandara two spears are placed on the heap of refuse and their ends are tied together at the top with the entrails of a fowl. The bride and bridegroom have to stand under the spears while water is poured over them, and then run out. Before the bride starts the bridegroom must give her a blow on the back, and if he can do this before she runs out from the spears it is thought that the marriage will be lucky. The women of the bride's and bridegroom's party also stand one at each end of a rope and have a competition in singing. They sing against each other and see which can go on the longest. Brāhmans are not employed at a Gond wedding. The man who officiates is known as Dosi, and is the bridegroom's brother-in-law, father's sister's husband or some similar relative. A woman relative of the bride helps her to perform her part and is known as Sawasin. To the Dosi and Sawāsin the bride and bridegroom's parties present an earthen vessel full of kodon. The donors mark the pots, take them home and sow them in their own fields, and then give the crop to the Dosi and Sawāsin.

Some years ago in Bālāghāt the bride and bridegroom

II

SPECIAL CUSTOMS

77

customs.

sat and ate food together out of two leaf-plates. When 20. Special they had finished the bride took the leaf-plates, ran with them to the marriage-shed, and fixed them in the woodwork so that they did not fall down. The bridegroom ran after her, and if she did not put the plates away quickly, gave her one or two blows with his fist. This apparently was a symbolical training of the bride to be diligent and careful in her household work. Among the Rāj-Gonds of Saugor, if the bridegroom could not come himself he was accustomed to send his sword to represent him. The Sawasin carried the sword seven times round the marriage-post with the bride and placed a garland on her on its behalf, and the bride put a garland over the sword. This was held to be a valid marriage. In a rich Raj-Gond or Khatola Gond family two or three girls would be given with the bride, and they would accompany her and become the concubines of the bridegroom. Among the Maria Gonds of Chanda the wedded pair retire after the ceremony to a house allotted to them and spend the night together. Their relatives and friends before leaving shout and make merry round the house for a time, and throw all kinds of rubbish and dirt on it. In the morning the couple have to get up early and clear all this off, and clean up the house. A curious ceremony is reported from one part of Mandla. When a Gond girl is leaving to be married, her father places inside her litter a necklace of many strings of blue and yellow beads, with a number of cowries at the end, and an iron ring attached to it. On her arrival at the bridegroom's house his father takes out the necklace and ring. it is said that he simply passes a stone through the ring, but often he hangs it up in the centre of a room, and the bridegroom's relatives throw stones at it until one of them goes through the ring, or they throw long bamboo sticks or shoot arrows at it, or even fire bullets from a gun. recent case it is said that a man was trying to fire a bullet through the ring and killed a girl. Until a stone, stick, arrow or bullet has been sent through the ring the marriage cannot take place, nor can the bridegroom or his father touch the bride, and they go on doing this all night until somebody succeeds. When the feat has been done they pour a

Sometimes

In a

« PreviousContinue »