All the fish caught were afterwards laid on this platform and the leader then divided them, leaving one piece on the platform. Next morning this piece was taken away and placed on the grave of the leader's ancestor. If no fish were caught on the first day, then on the next day the women took the men no food. And if they caught no fish for two or three days running, they went and dug up the platform erected in front of the leader's house and levelled it with the ground. Then the next morning early all the people of the village went to another village and danced the Sela dance before the tombs of the ancestors of that village. Sometimes they went on to a third village and did the same. The headman of the village visited levied a contribution from his people, and gave them food and drink and a present of Rs. 1-4. With this they bought liquor, and coming back to their own village, offered it in front of the platform which they had levelled, and drank it. Next morning they went fishing again, but said that they did not care whether they caught anything or not, as they had pleased their god. Next year all the people of the village they had visited would come and dance the Sela dance at their village the whole day, and the hosts had to give the visitors food and drink. This was said to be from gratitude to the headman of the other village for placating their god with an offering of Rs. 1-4. And the visit might even be repeated annually so long as the headman of the other village was alive. Apparently in this elaborate ritual the platform especially represented the forefathers of the village, whose spirits were supposed to give success in fishing. If the fishers were unsuccessful, they demolished the platform to show their displeasure to the spirits, and went and danced before the ancestors of another village to intimate the transfer of their allegiance from their own ancestors to these latter. The ancestors would thus feel themselves properly snubbed and discarded for their ill-nature in not giving success to the fishing party. But when they had been in this condition for a day or so the headman of the other village sent them an offering of liquor, and it was thus intimated to them that, though their own descendants had temporarily transferred their devotion, they were not entirely abandoned. It would be hoped that the ancestors would lay the lesson to heart, and, placated by the liquor, be more careful in future of the welfare of their descendants. The season for fishing was in Kunwar and Kartik, and it sometimes extended into Aghan (September to November). During these months, from the time the new kodon was cut at the beginning of the period, they danced the Sela, and they did not dance this dance at any other time of the year.1 At other seasons they would dance the Karma. The Sela dance is danced by men alone; they have sticks and form two circles, and walk in and out in opposite directions, beating their sticks together as they pass. Sometimes other men sit on the shoulders of the dancers and beat their sticks. Sela is said to be the name of the stick. In the Sela dance the singing is in the form of Dadaria, that is, one party recites a line and the other party replies; this is not done in the Karma dance, for which they have regular songs. It seems possible that the Sela dance was originally a mimic combat, danced before they went out to fight in order to give them success in the battle. Subsequently it might be danced before they went out hunting and fishing with the same object. If there was no stream to which they could go fishing they would buy some fish and offer it to the god, and have a holiday and eat it, or if they could not go fishing they might go hunting in a party instead. When a single Gond intends to go out hunting in the forest he first lights a lamp before his household god in the house, or if he has no oil he will kindle a fire, and the lamp or fire must be kept burning all the time he is out. If he returns successful he offers a chicken to the god and extinguishes the lamp. But if he is unsuccessful he keeps the lamp burning all night, and goes out again early next morning. If he gets more game this time he will offer the chicken, but if not he will extinguish the lamp, put his gun outside and not touch it again for eight days. A Gond never takes food in the morning before going out hunting, but goes out in a fasting condition perhaps in order that the god, seeing his hunger, may send 1 This is incorrect, at present at any rate, as the Karma is danced during the harvest period. But it is probable that the ritual observances for communal fishing and hunting have now fallen into abeyance. 50. Witchcraft. him some game to eat. Nor will a Gond visit his wife the 1 The belief in witchcraft has been till recently in full force and vigour among the Gonds, and is only now showing symptoms of decline. In 1871 Sir C. Grant wrote: "The wild hill country from Mandla to the eastern coast is believed to be so infested by witches that at one time no prudent father would let his daughter marry into a family which did not include among its members at least one of the dangerous sisterhood. The non-Aryan belief in the power of evil here strikes a ready chord in the minds of their conquerors, attuned to dread by the inhospitable appearance of the country and the terrible effect of its malicious influences upon human life. In the wilds of Mandla there are many deep hillside caves which not even the most intrepid Baiga hunter would approach for fear of attracting upon himself the wrath of their demoniac inhabitants; and where these hillmen, who are regarded both by themselves and by others as ministers between men and spirits, are afraid, the sleek cultivator of the plains must feel absolute repulsion. Then the suddenness of the epidemics to which, whether from deficient water-supply or other causes, Central India seems so subject, is another fruitful source of terror among an ignorant people. When cholera breaks out in a wild part 1 C. P. Gazetteer (1871), Introduction, p. 130. II WITCHCRAFT III of the country it creates a perfect stampede-villages, roads, and all works in progress are deserted; even the sick are abandoned by their nearest relations to die, and crowds fly to the jungles, there to starve on fruits and berries till the panic has passed off. The only consideration for which their minds have room at such times is the punishment of the offenders, for the ravages caused by the disease are unhesitatingly set down to human malice. The police records of the Central Provinces unfortunately contain too many sad instances of life thus sacrificed to a mad unreasoning terror." The detection of a witch by the agency of the corpse, when the death is believed to have been caused by witchcraft, has been described in the section on funeral rites. In other cases a lamp was lighted and the names of the suspected persons repeated; the flicker of the lamp at any name was held to indicate the witch. Two leaves were thrown on the outstretched hand of a suspected person, and if the leaf representing her or him fell above the other suspicion was deepened. In Bastar the leaf ordeal was followed by sewing the person accused into a sack and letting her down into shallow water; if she managed in her struggles for life to raise her head above water she was finally adjudged to be guilty. A witch was beaten with rods of the tamarind or castor-oil plants, which were supposed to be of peculiar efficacy in such cases; her head was shaved cross-wise from one ear to the other over the head and down to the neck; her teeth were sometimes knocked out, perhaps to prevent her from doing mischief if she should assume the form of a tiger or other wild animal; she was usually obliged to leave the village, and often murdered. Murder for witchcraft is now comparatively rare as it is too often followed by detection and proper punishment. But the belief in the causation of epidemic disease by personal agency is only slowly declining. Such measures as the disinfection of wells by permanganate of potash during a visitation of cholera, or inoculation against plague, are sometimes considered as attempts on the part of the Government to reduce the population. When the first epidemic of plague broke out in Mandla in 1911 it caused a panic among the Gonds, who threatened to attack with their axes any Government officer who should come to their village, 51. Human sacrifice. 1 in the belief that all of them must be plague-inoculators. In the course of six months, however, the feeling of panic died down under a system of instruction by schoolmasters and other local officials and by circulars; and by the end of the period the Gonds began to offer themselves voluntarily for inoculation, and would probably have come to do so in fairly large numbers if the epidemic had not subsided. The Gonds were formerly accustomed to offer human. sacrifices, especially to the goddess Kāli and to the goddess Danteshwari, the tutelary deity of the Rājas of Bastar. Her shrine was at a place called Dantewāra, and she was probably at first a local goddess and afterwards identified with the Hindu goddess Kāli. An inscription recently found in Bastar records the grant of a village to a Medipota in order to secure the welfare of the people and their cattle. This man was the head of a community whose business it was, in return for the grants of land which they enjoyed, to supply victims for human sacrifice either from their own families or elsewhere. Tradition states that on one occasion as many as IOI persons were sacrificed to avert some great calamity which had befallen the country. And sacrifices also took place when the Rāja visited the temple. During the period of the Bhonsla rule early in the nineteenth century the Rāja of Bastar was said to have immolated twenty-five men before he set out to visit the Rāja of Nāgpur at his capital. This would no doubt be as an offering for his safety, and the lives of the victims were given as a substitute for his own. A guard was afterwards placed on the temple by the Marathas, but reports show that human sacrifice was not finally stamped out until the Nagpur territories lapsed to the British in 1853. At Chanda and Lānji also, Mr. Hislop states, human sacrifices were offered until well into the nineteenth century2 at the temples of Kāli. The victim was taken to the temple after sunset and shut up within its dismal walls. In the morning, when the door was opened, he was found dead, much to the glory of the great goddess, who had shown her power by coming during the night and sucking his blood. No doubt there 1 This section contains some information furnished by R. B. Hira Lāl. |