Archaeological Review from Cambridge, Volume 21Department of Archaeology, 2006 - Archaeology |
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Page 82
... artist reduces a piece of raw material from a rough shape to a tool , bead , ornament or figurine . Pavlovian artists working with loess could have employed a familiar reductive technique by building a block of wet loess paste and then ...
... artist reduces a piece of raw material from a rough shape to a tool , bead , ornament or figurine . Pavlovian artists working with loess could have employed a familiar reductive technique by building a block of wet loess paste and then ...
Page 85
... artist's technique is embedded and embodied in the object itself . Pavlovian bone carving At Předmostí , artists used mammoth metapodia to make anthropomorphic figurines . The natural size of metapodia bones allowed artists to construct ...
... artist's technique is embedded and embodied in the object itself . Pavlovian bone carving At Předmostí , artists used mammoth metapodia to make anthropomorphic figurines . The natural size of metapodia bones allowed artists to construct ...
Page 149
... artistic liberties and stylization on images and implies that most Palaeolithic artists were concerned primarily with lifelike renderings . Guthrie examines the size and shape of hand and footprints preserved in painted caves to support ...
... artistic liberties and stylization on images and implies that most Palaeolithic artists were concerned primarily with lifelike renderings . Guthrie examines the size and shape of hand and footprints preserved in painted caves to support ...
Contents
Building technologies quick architecture and Early Neolithic long barrow sites in Southern | 117 |
Book Reviews and Notes | 135 |
Archaeological Review from Cambridge 21 1 | 137 |
Copyright | |
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agency analysis Anthropology approach archaeological record Archaeological Review argued artefacts artists Ascott-under-Wychwood assemblage axial divide Balter Beaker Bell Beaker body Bronze Age building burial Burroughs Cambridge University Press Çatalhöyük ceramic chaîne opératoire chapter Chicanel climate cognitive complex concepts construction context Copper Age cremation Department of Archaeology discussion Dobres Dolní Věstonice Early embodied Europe evolutionary excavation Figure figurines focus gender Gesture Hoxne human hunter-gatherer identity images individual intermediate elites interpretation ivory Journal landscape Lemonnier lithic loess London long barrow maenads material culture Maya Mesolithic microlith Minoan monuments Museum Neolithic object organisation Oxford Ozieri paper particular past Pavlovian period perspective plaster cast political practice prehistoric production representation Review from Cambridge ritual rock art Routledge satyrs sculptures Shennan social society standardised Star Carr stone structure style symbolic techniques theoretical theory toolkit transition types University of Cambridge Upper Palaeolithic visual volume