Handbook of the Arts of the Middle Ages and Renaissance: As Applied to the Decoration of Furniture, Arms, Jewels, &c. &c |
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Page xxiii
... enamel , and is omitted in the woodcut . On one of the sides Christ is represented on the cross , his head encircled with a cruciform nimbus , his beard black ... enamel ground . Fig . 53. Portrait of Geoffrey Plantagenet . Champlevé enamel.
... enamel , and is omitted in the woodcut . On one of the sides Christ is represented on the cross , his head encircled with a cruciform nimbus , his beard black ... enamel ground . Fig . 53. Portrait of Geoffrey Plantagenet . Champlevé enamel.
Page xxiv
... enamel . Museum . Le Mans . XIIth century . Geoffrey le Bel , Duke of Normandy , Count of Anjou and Maine , was father of Henry II . He died at Château - du - Loir , 1151. This plaque , a kind of votive picture , was placed in the ...
... enamel . Museum . Le Mans . XIIth century . Geoffrey le Bel , Duke of Normandy , Count of Anjou and Maine , was father of Henry II . He died at Château - du - Loir , 1151. This plaque , a kind of votive picture , was placed in the ...
Page 49
... enamel , and he does not appear to have been acquainted with red glass lined with a stratum of white glass , which nevertheless began to be in use in the XIIIth century . ( Peinture sur verre , by M. Bontemps , p . 27. ) When he wishes ...
... enamel , and he does not appear to have been acquainted with red glass lined with a stratum of white glass , which nevertheless began to be in use in the XIIIth century . ( Peinture sur verre , by M. Bontemps , p . 27. ) When he wishes ...
Page 70
... enamel . At the end of the XIIth century the whole subject was drawn in bistre , but giving a more detailed out- line ; hatches scratched out upon the coloured ground pro- duced a very happy effect of light , so that with one enamel ...
... enamel . At the end of the XIIth century the whole subject was drawn in bistre , but giving a more detailed out- line ; hatches scratched out upon the coloured ground pro- duced a very happy effect of light , so that with one enamel ...
Page 72
... enamel colour , of which Theophilus gives the composition in his 19th chapter , * to retrace upon the glass the lines and shadows marked upon the table . Theophilus teaches , moreover , how to degrade † the tones with this single enamel ...
... enamel colour , of which Theophilus gives the composition in his 19th chapter , * to retrace upon the glass the lines and shadows marked upon the table . Theophilus teaches , moreover , how to degrade † the tones with this single enamel ...
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Common terms and phrases
altar ancient antiquity arabesques artists bas-reliefs bronze Byzantine Cabinet cabochon carved celebrated Cellini Chamber of Arts champlevé CHAP Charles chased Chinese churches cloisonné enamels Coll coloured glass copper Courteys d'or damascened Debruge-Labarte Collection decorated electrum employed enamel painting engraved enriched executed fayence Fcap figures filagree France French furniture German glass-makers gold and silver goldsmith's art goldsmiths Greek grisaille Heraclius Ibid incrusted inscription inventory Italian Italy ivory jewels keramic kind Limoges Limousin Louvre Luca della Robbia majolica manufacture medallions metal metal-work middle ages monogram monument mosaic Musée de Cluny Museum niello ornaments painter painting Pala d'Oro Palissy Paris period pieces plate porcelain Portrait Post 8vo pottery precious stones preserved produced relief reliquary represented sculpture Second Edition Sèvres skilful Soltykoff specimens statuettes style subjects Theophilus tion translucid enamels Vasari vases Venetian vessels Vols Woodcuts workmanship XIIth XIth XIVth XVIth century XVth
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