Modernism/postmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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Page 133
... objects were first constituted in the Renaissance . In the course of the eighteenth century , literature , the fine ... object of use , between conscious staging and spontaneous excitement ; the attempts to declare everything to be art ...
... objects were first constituted in the Renaissance . In the course of the eighteenth century , literature , the fine ... object of use , between conscious staging and spontaneous excitement ; the attempts to declare everything to be art ...
Page 146
... object corresponding to the concept , an undetermined agreement , without rules , giving rise to a judgment which Kant calls reflective , may be experienced as pleasure . The sublime is a different sentiment . It takes place , on the ...
... object corresponding to the concept , an undetermined agreement , without rules , giving rise to a judgment which Kant calls reflective , may be experienced as pleasure . The sublime is a different sentiment . It takes place , on the ...
Page 170
Peter Brooker. again : it is a complex object in which on some first level children and adolescents can take the ... object world of late capitalism . Technically , then , its objects ( its cars , for instance ) are 1980s products ...
Peter Brooker. again : it is a complex object in which on some first level children and adolescents can take the ... object world of late capitalism . Technically , then , its objects ( its cars , for instance ) are 1980s products ...
Contents
traditionalist modernism | 5 |
Have a nice day M Derrida M Baudrillard | 13 |
Jameson and Tomorrowland | 20 |
Copyright | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste become Benjamin bourgeois Brecht capital capitalist classical concept consciousness contemporary criticism critique cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Frankfurt Fredric Jameson gender Georg Lukács Habermas Hassan Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Manchester Marxism mass means metropolis modern art modernist narrative neoconservative novel object parody past pastiche perspective philosophy poetry political pop music popular position possible postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation romantic Routledge Salman Rushdie sense simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century University Press urban Verso Walter Benjamin West women writing York