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When the deep glen rung,

And the war shout sprung,

Unbroken from height to height.

Each Suliote knew the sound

That summon'd his ready brand,

And they rush'd along

With their rough war-song,

Like waves to a stormy strand.

The Arnaut host had reach'd

A pass of the guarded glen, When the loud steel clash'd, And the hot blood plash'd,

In the trample of mighty men.

'Thro' th' Albanese reeling ranks

The conquering men rush'd down,

As wild winds sweep

Thro' the forests deep,

When the Autumn leaves are brown.

There were blood-fill'd turbans there,

And many a bleeding brand

Was scatter'd around

The reeking ground,

Fast clench'd in the lifeless hand.

And the countless crescents that shone

Thro' billows of boiling blood,

Seem'd so broken and bright,

Like reflected light,

On the eve-empurpled flood.

Then shout for the Suliote men,

Besprent with that gory rain,

As lions appear

When the slaughter'd deer

Lie strew'd on the smoking plain.

They stood like their own wild hills,
Unhurt while the tempest rides,

While the lightnings flash

And the thunders crash

Around their mighty sides."

JOSEPH O'LEARY.

This wooer of the Poetic Muse, who is, at present, employed in a translation of "Tibullus," from his earliest years has been a lover of poesy. He, at one time, designed to make the Stage his profession; but the little encouragement which theatricals generally receive in Ireland, and the advice of his friends, induced him to put off the buskin, and grasp the quill instead of the truncheon.

He has repeatedly essayed his strength in short pieces, in the public papers of Cork, in which sweetness of manner, easy, flowing, and musical versification, with great polish and

felicity of language, and abundance of imagery, are the characteristic traits, bringing with him a warm attachment to his country, a close knowledge of its history, manners, traditions, and general antiquities.

He has successfully waked the lyre to lays of love, to freedom, and to Bacchic strains; and in all he has exhibited talent, feeling, and spright-liness. The following song, adapted to the lively national air of "Bob and Joan," has been sung in every convivial circle in Cork..

SONG.

"Whiskey, drink divine, Why should drivellers bore us With the praise of wine,

While we've thee before us?

Were it not a shame,

While we gaily fling thee

To our lips of flame,

If we could not sing thee?

Whiskey, drink divine, &c.

Had Anacreon, who

Was the grape's best poet,

Drank our mountain-dew,

All the world would know it.

Being the best then known,

He to wine was civil,

But for Innishone,

He'd pitch it to the devil.

Whiskey, &c.

Greek and Roman sung

Scian and Falernian

Shall no harp be rung

To thy praise, Hibernian?
Yes, let Erin's sons,
Gen'rous, brave, and frisky,

Tell the world at once,

They owe it all to whiskey.

Whiskey, &c.

Could my feeble lays Half thy virtues number,

A whole grove of bays

Should my brows encumber.
Be his name ador'd,

Who summ'd up thy merits,

In one little word,

When he call'd thee Spirits.

Whiskey, &c.

Bright as beauty's eye,

When no sorrow veils it;

Sweet as beauty's sigh,

When young Love inhales it.

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In no place on the face of the habitable globe are the merits of "Whiskey" so fully appreciated, or so ably discussed, as in "the beautiful city called Cork." Between jestmaking and punch-making, life rubs on pleasantly enough. While a resident in that city, the Editor of these volumes ventured on the following verses on the nectar so greatly lauded by Mr. O'Leary, and all his countrymen of taste.

WHISKEY-PUNCH.

"Come, hand me down the whiskey, the lemons quickly

pass,

And fling some lumps of sugar white into the deepest glass.

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