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DOUBLEDAY, PAGE AND COMPANY

For Richard Le Gallienne's "The Eternal Way"; for Rudyard Kipling's "For All We Have and Are," "The White Man's Burden," "Recessional," "The King,"

“” “Danny Deever,” and “The Gipsy Trail”; for Christopher Morley's "To a Post-Office Inkwell"; and for Walt Whitman's “To a Certain Civilian,” “When I Heard the Learn’d Astronomer," "As Toilsome I Wander'd Virginia's Woods," "Darest Thou Now, O Soul," "O Captain! my Captain !”, “To a Locomotive in Winter,” and

"To Old Age." DUFFIELD AND COMPANY

For a selection from Francis Ledwidge's "Soliloquy." E. P. DUTTON AND COMPANY

For Willard Wattles's “Creeds” and Siegfried's Sassoon's

“Song-books of the War.” HARCOURT, BRACE AND COMPANY

For Carl Sandburg's “A. E. F.”; John Gould Fletcher's “Exit” and “Blake"; and for Louis Untermeyer's “Ques

tioning Lydia." HARPER AND BROTHERS

For Swinburne's "The Garden of Proserpine," "A For

saken Garden,” and “A Baby's Feet.” HENRY HOLT AND COMPANY

For Robert Frost's "Mending Wall" and "The Tuft of Flowers”; and for Carl Sandburg's "Chicago" and "A Fence."

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HOUGHTON MIFFLIN COMPANY

For Emerson's "The Snow-Storm," "Concord Hymn," and “This Shining Moment”; for Oliver Wendell Holmes's “The Last Leaf” and a tanza from “The Chambered Nautilus"; for Henry Wadsworth Longfellow's “Hymn to the Night,” two sonnets on Dante, and his translations of Goethe's "Wanderer's Nightsongs"; for James Russell Lowell's "For an Autograph” and a portion of the “Ode Recited at the Harvard Commemoration"; for John Greenleaf Whittier's "Skipper I reson's Ride,” “Telling the Bees," and a selection from "Snow-Bound"; for Thomas Bailey Aldrich's "Palabras Cariñosas"; for Laurence Binyon's "For the Fallen"; for "H. D.’s” “Oread”; for Bret Harte's “Her Letter” and “Mrs. Judge Jenkins”; for Josephine Preston Peabody's “ 'Vanity, Saith the Preacher'”; for Clinton Scollard's "In the Sultan's Garden"; for John Godfrey Saxe's "Woman's Will”; and for Odell Shepard's "Cer

tain American Poets.” MR. JULIAN R. HOVEY

For Richard Hovey's “Unmanifest Destiny." JOHNSON PUBLISHING COMPANY, Richmond, Vir

giniaFor Henry Timrod's "At Magnolia Cemetery." MR. MITCHELL KENNERLEY

For Edna St. Vincent Millay's “Elegy”; for an extract

from Witter Bynner's “The New World.” JOHN LANE COMPANY

For Rupert Brooke's “The Soldier"; for Richard Le Gallienne's “The Eternal Way”; and for William Watson's "Written in Mr. Sidney Lee's Life of Shakespeare," "To Christina Rossetti,” “His Friends He

Loved,” and “For Metaphors of Man.” LITTLE, BROWN AND COMPANY

For Emily Dickinson's “A Book” and “This Quiet Dust"; for Lord Dunsany's "The Worm and the Angel"

; and “The Prayer of the Flowers"; for Edward Lear's “The Pobble Who Has No Toes"; for Dante Gabriel Rossetti's “Ballad of Dead Ladies” and “A Sonnet is a Moment's Monument”; and for Christina Rossetti's

"When I am Dead, My Dearest.” MR. HANIEL LONG and POETRY: A MAGAZINE

OF VERSE-
For Dead Men Tell No Tales.”

THE MACMILLAN COMPANY

For John Gould Fletcher's "Broadway's Canyon"; for Wilfrid Wilson Gibson's “Prelude”; for Thomas Hardy's "In a Wood” and “Her Initials”; for William Ernest Henley's "Romance," "Margaritae Sorori," "Villanelle,' and “Invictus”; for Vachel Lindsay's “Abraham Lincoln Walks at Midnight," "The Eagle that is Forgotten," and "On the Building of Springfield"; for John Masefield's "The West Wind," "A Consecration,” “The Yarn of the 'Loch Achray,'” three sonnets ("Now They Are Gone," "I Never See the Red Rose,” and “Be with Me, Beauty”), and a selection from "The Widow in the Bye Street"; for Edgar Lee Masters's “Come, Republic,” “Alexander Throckmorton,” “George Gray,” and “John Hancock Otis"; for Edwin Arlington Robinson's "The Master," "Mr. Flood's Party," "An Inscription by the Sea,” “The Dark Hills,'

Dark Hills," "Monadnock through the Trees," "Firelight," "Souvenir," and a selection from “Ben Jonson Entertains a Man from Stratford”; for Tennyson's “The Splendor Falls,” “Ring Out, Wild Bells,” “To the Queen,” “Crossing the Bar," "Sweet and Low," "Ulysses,” “Sir John Franklin,” “To Virgil,” "Break, Break, Break," and "Flower in the Crannied Wall”; for Sara Teasdale's “I Shall Not Care,” “Wisdom,” and “The Lamp”; for Rabindranath Tagore's "Prayer for India"; for William Butler Yeats's "The Lake Isle of Innisfree,” “When You are Old and Gray," and Song from “The Land of Heart's Desire”; and for "Jesse James" from John A. Lomax's Cowboy Songs.

THE MANAS PRESS, Rochester, N. Y.

For Adelaide Crapsey's “Triad,” “The Warning,” and "On Seeing Weather-beaten Trees.”

JOHN P. MORTON AND COMPANY, Louisville, Ky.

For Walter Malone's "Abraham Lincoln.”

MR. JOHN MURRAY

For Robert Bridges's "Who Builds a Ship."

MISS AMY LOWELL and THE NEW REPUBLIC

For “Texas," which appeared in that magazine for December 29, 1920. MR. EZRA POUND

For his “In a Station of the Metro.”
HARR WAGNER PUBLISHING COMPANY

For "Joaquin” Miller's "Westward Ho!"
LONGMANS, GREEN AND COMPANY

For Andrew Lang's “Ballade of Theocritus in Winter"

and “Ballade of the Southern Cross.” G. P. PUTNAM'S SONS

For John McCrae's "In Flanders Fields." CHARLES SCRIBNER'S SONS

For Henry Cuyler Bunner's "A Pitcher of Mignonette" and “‘Ope, Two, Three'”; for Eugene Field's “The Truth about Horace"; for Sidney Lanier's “The Song of the Chattahoochee"; for Edwin Arlington Robinson's "The Master"; for Alan Seeger's "I Have a Rendezvous with Death"; for Robert Louis Stevenson's “Requiem”; for Henry van Dyke's "Tennyson"; and for John Hall

Wheelock's “Earth.”
FREDERICK A. STOKES COMPANY

For Gelett Burgess's “The Purple Cow”; and for Alfred Noyes's "Niobe," "Unity," "The Highwayman," "Kilmeny," Song from "Tales of the Mermaid Tavern,” a portion of “Astrid,” and Song from “Drake.”

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