Archaeological Review from Cambridge, Volume 15Department of Archaeology, 1998 - Archaeology |
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Page 95
... Palaeolithic parietal art in Western Europe can be understood in terms of the development of human visual perception . The human mind has evolved to process and organise the visual information coming in from the external world in terms ...
... Palaeolithic parietal art in Western Europe can be understood in terms of the development of human visual perception . The human mind has evolved to process and organise the visual information coming in from the external world in terms ...
Page 96
... Palaeolithic art to demonstrate how they can shed some light onto the motivation of the artists . The content and style of the art Palaeolithic images are usually grouped into three categories : animals , humans and abstract . Landscape ...
... Palaeolithic art to demonstrate how they can shed some light onto the motivation of the artists . The content and style of the art Palaeolithic images are usually grouped into three categories : animals , humans and abstract . Landscape ...
Page 106
... Palaeolithic parietal art from the point of view of human visual perception and cognitive processes . I have ... Palaeolithic is a direct response to the pattern generating activity of the human consciousness . By expressing these images ...
... Palaeolithic parietal art from the point of view of human visual perception and cognitive processes . I have ... Palaeolithic is a direct response to the pattern generating activity of the human consciousness . By expressing these images ...
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acoustical Africa Americans and Archaeologists Anthropology archaeological record Archaeological Review architecture argues artefacts body bone Bronze Age buildings Cambridge University Press cemetery Chris Hayden Christine Brooke-Rose cognitive concepts construction context Contributions deformity disability discussion disease environment ethnic Evans evidence example experience figures figurines Foucault's Pendulum function gender heritage human images impairment individual interpretation issues Journal Knüsel landscape leprosy London Malta material culture meaning medieval megalithic art monuments museums naked seated Native Americans nature Neolithic obesity Oxford palaeopathology papers parietal art particular Passage Tomb past perceived perception perceptual framework person perspective Phenomenology physical political Poundbury prehistoric problems produce prone burial recognised relationship representation Review from Cambridge Roman Romanesque semiosis semiotic social model society space specific status structures suggests symbolic Tarxien theoretical Tilley Tom Shakespeare tomb Umberto Eco Upper Palaeolithic visual volume Zammit and Singer