The Works of the Late Edgar Allan Poe: The literatiRedfield, 1850 - American literature |
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Page 20
... IMAGINATION , ... 374 E. P. WHIPPLE AND OTHER CRITICS ,. 382 J. FENIMORE COOPER ,. 389 ELIZABETH BARRETT BARRETT ,. 401 R. H. HORNE ,. THOMAS BABINGTON MACAULAY ,. CHARLES LEVER ,. FRANCIS MARYATT ,. HENRY COCKTON ,. CHARLES DICKENS ...
... IMAGINATION , ... 374 E. P. WHIPPLE AND OTHER CRITICS ,. 382 J. FENIMORE COOPER ,. 389 ELIZABETH BARRETT BARRETT ,. 401 R. H. HORNE ,. THOMAS BABINGTON MACAULAY ,. CHARLES LEVER ,. FRANCIS MARYATT ,. HENRY COCKTON ,. CHARLES DICKENS ...
Page 30
... Imagination , fancy , fantasy , and humor , have in common the elements combination and novelty . The imagination is the artist of the four . From novel arrangements of old forms which present themselves to it , it selects such only as ...
... Imagination , fancy , fantasy , and humor , have in common the elements combination and novelty . The imagination is the artist of the four . From novel arrangements of old forms which present themselves to it , it selects such only as ...
Page 31
... imagination , and these poems con- . sequently are deficient in vigor , in stamen . The Scriptural pieces Now , when this question does not occur , when the harmony of the com- bination is comparatively neglected , and when , in ...
... imagination , and these poems con- . sequently are deficient in vigor , in stamen . The Scriptural pieces Now , when this question does not occur , when the harmony of the com- bination is comparatively neglected , and when , in ...
Page 32
... ( evidently written in haste and through impulse ) a true imagination . Its grace , dignity and pa- thos are impressive , and there is more in it of earnestness , of soul , His than in anything I have seen from the pen 82 N. P. WILLIS .
... ( evidently written in haste and through impulse ) a true imagination . Its grace , dignity and pa- thos are impressive , and there is more in it of earnestness , of soul , His than in anything I have seen from the pen 82 N. P. WILLIS .
Page 48
... imagination and exquisite pathos . For example-- Seemed it pitiful he should sit there , No one sympathizing , no one heeding , None to love him for his thin gray hair . One sweet spirit broke the silent spell- Ah , to me her name was ...
... imagination and exquisite pathos . For example-- Seemed it pitiful he should sit there , No one sympathizing , no one heeding , None to love him for his thin gray hair . One sweet spirit broke the silent spell- Ah , to me her name was ...
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Common terms and phrases
acatalectic admiration admit altogether American artist Barnaby Rudge beauty better bird Broadway Journal cæsura called character composition convey course critic doubt drama Drama of Exile dreams effect English entitled especially example expression eyes fact fancy feel friends genius Graham's Magazine Haredale heart Heaven idea imagination imitation intellect least light lines literary Longfellow look Magazine man-bats manner matter means merely merit mind Miss nature never novel o'er observed opinion original Orion Outis passages passion peculiar perhaps person plagiarism poem poet poetical poetry popular prose quote reader reason regard remarkable respect rhyme rhythm Rudge Sam Patch scene Seba Smith seems sense sentence sentiment soul speak spirit spondee stanza story style supposed taste thee thing thou thought tion trochee true truth Twice-Told Tales verse volume whole William Ellery Channing words write written Zippa
Popular passages
Page 308 - And I had done a hellish thing, And it would work 'em woe; For all averred I had killed the bird That made the breeze to blow!
Page 59 - She dwelt among the untrodden ways Beside the springs of Dove, A Maid whom there were none to praise And very few to love : A violet by a mossy stone Half hidden from the eye! Fair as a star, when only one Is shining in the sky.
Page 174 - In the greenest of our valleys By good angels tenanted, Once a fair and stately palace — Radiant palace — reared its head. In the monarch Thought's dominion, It stood there! Never seraph spread a pinion Over fabric half so fair! Banners yellow, glorious, golden, On its roof did float and flow (This — all this — was in the olden Time long ago...
Page 329 - So live, that when thy summons comes, to join The innumerable caravan, that moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry slave at night, Scourged to his dungeon; but, sustained and soothed By an unfaltering trust, approach thy grave Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
Page 185 - There is a Power whose care Teaches thy way along that pathless coast, The desert and illimitable air, Lone wandering, but not lost.
Page 323 - FULL knee-deep lies the winter snow, And the winter winds are wearily sighing : Toll ye the church-bell sad and slow, And tread softly and speak low, For the old year lies a-dying. Old year, you must not die ; You came to us so readily, You lived with us so steadily, Old year, you shall not die.
Page 293 - WE watched her breathing through the night, Her breathing soft and low, As in her breast the wave of life Kept heaving to and fro. So silently we seemed to speak, So slowly moved about As we had lent her half our powers To eke her living out. Our very hopes belied our fears, Our fears our hopes belied — We thought her dying when she slept And sleeping when she died. For when the morn came dim and sad, And chill with early showers, Her quiet eyelids closed — she had Another morn than ours.
Page 197 - In the whole composition there should be no word written of which the tendency, direct or indirect, is not to the one preestablished design.
Page 252 - He acts upon the principle that if a thing is worth doing at all it is worth doing well: — and the thing that he "does" especially well is the public.
Page 210 - And star-dials pointed to morn, As the star-dials hinted of morn, At the end of our path a liquescent And nebulous lustre was born, Out of which a miraculous crescent Arose with a duplicate horn, Astarte's bediamonded crescent Distinct with its duplicate horn.