INTRODUCTION BY THE EARL OF

SHEFFIELD

THE centenary of the death of Edward Gibbon (who died January, 1794, aged fifty-six) was recorded by a public commemoration held in London in November, 1894, at the instance of the Royal Historical Society. The distinguished committee of English and foreign students, who were associated on that occasion, invited me to become their President, as representing the family with which Gibbon had been so intimately connected, and which still retained the portraits, manuscripts, letters, and relics of the historian. The exhibition of these in the British Museum, and the commemoration held on November 15, reawakened interest in the work and remains of one of the greatest names in English literature; and a general desire was expressed that the manuscripts should be again collated, and that what was yet unpublished might be given to the world.

As is well known, it was my grandfather, the first Earl, who made the historian almost his adopted brother, gave him a home both in town and in country, was his devisee and literary executor, and edited and published the famous Autobiography, the letters, and remains. All of these passed under Edward Gibbon's will to Lord Sheffield; and, together with books, relics, portraits, and various mementos, they have been for a century preserved by my father and myself with religious care and veneration in Sheffield Park. The original autograph manuscripts of the Memoirs, the Diaries, Letters, Note-books, etc., have now become the property of the British Museum. And it is with no little

pleasure and pride that I have acceded to the request of the publishers that I would introduce these unpublished remains to the world, and thus complete the task of editing the historian, to which my grandfather devoted so great a portion of his time, not only as a testamentary duty, but as a labour of love.

The connection of the historian with my grandfather, his early friend, John Holroyd, and the members of the Holroyd family, forms one of the pleasantest and also most interesting passages in literary history. It was in no way interrupted by Lord Sheffield's public and official duties; it was continued without a cloud to obscure their intimacy, until it was sundered by death; and the Earl, who survived his friend so long, continued to edit and to publish the manuscripts left in his hands for some twenty years after the death of the historian.

By a clause in the will of Edward Gibbon, dated July 14, 1788, his papers were entrusted to Lord Sheffield and Mr. John Batt, his executors, in the following terms:

"I will that all my Manuscript papers found at the time of my decease be delivered to my executors, and that if any shall appear sufficiently finished for the public eye, they do treat for the purchase of the same with a Bookseller, giving the preference to Mr. Andrew Strahan and Mr. Thomas Cadell, whose liberal spirit I have experienced in similar transactions. And whatsoever monies may accrue from such sale and publication I give to my much-valued friend William Hayley, Esq., of Eastham, in the County of Sussex. But in case he shall dye before me, I give the aforesaid monies to the Royal Society of London and the Royal Academy of Inscriptions of Paris, share and share alike, in trust to be by them employed in such a manner as they shall deem most beneficial to the cause of Learning."

In pursuance of the directions contained in the will and of many verbal communications, Lord Sheffield, in 1799,

published the Miscellaneous Works of Edward Gibbon, with Memoirs of his Life and Writings, in two volumes, quarto. A third volume was added in 1815, and a new edition of the whole, with additions, appeared during the same year in five volumes, octavo. In 1837 another edition, in one large octavo volume, was published.

By a clause in his own will, Lord Sheffield directed that no further publication of the historian's manuscripts should be made.

"And I request of my said trustees and my heirs that none of the said manuscripts, papers, or books of the said Edward Gibbon be published unless my approbation of the publication be directed by some memorandum indorsed and written or signed by me. And I also request the person entitled for the time being to the possession thereof not to suffer the same to be out of his possession or to be improperly exposed."

This direction has been strictly followed by my father, the second Earl, and by myself; and it is believed that no person has ever had access to any of the manuscripts for any literary purpose, excepting the late Dean Milman, who, when editing his well-known edition of the Decline and Fall, in 1842, was permitted to inspect the original manuscripts of the Autobiography, on condition of not publishing any new

matter.

The commemoration of 1894, however, again raised the question whether such an embargo on giving to the world writings of national importance was ever meant to be, or even ought to be, regarded as perpetual. Whilst persons named in these papers or their children were living, whilst the bitter controversies of the last century were still unforgotten, whilst the fame of Edward Gibbon had hardly yet become one of our national glories, it was a matter of good feeling and sound judgment in Lord Sheffield to exercise an editor's discretion in publishing his friend's confession and private

thoughts. Now that more than a hundred years have passed since his death, no such considerations have weight or meaning. And the opinion of those whom I have consulted, both professionally and as private friends, amply corroborates my own conclusion, that it is a duty which I owe to my own ancestor and to the public to give to the world all the remains of the historian which for more than a century have been preserved in the strong room of Sheffield Park.

The unlocking of the cases in which these manuscripts were secured was quite a revelation of literary workmanship, and has led to a most interesting problem in literary history. The manuscripts of the historian are all holographs — the text of the famous Memoirs being written with extraordinary beauty of calligraphy, and studied with the utmost care. But, singularly enough, none of the texts are prepared for immediate, or even direct, publication. The historian wrote, at various intervals between 1788 and 1793, no less than six different sketches. They are not quite continuous; they partly recount the same incidents in different form; they are written in different tones: and yet no one of them is complete; none of them seem plainly designed to supersede the rest. There is even a small seventh sketch, from which one of the noblest and most famous passages that Gibbon ever wrote has been excised, and inserted in the published Autobiography.

Lord Sheffield executed his editorial task with extreme judgment, singular ingenuity, but remarkable freedom. He was assisted in preparing the manuscripts for publication by his wife and by Lady Maria Holroyd, his eldest daughter, who became by marriage the first Lady Stanley of Alderley. This very able and remarkable woman, of whose abilities the historian expressed in letters his great admiration, evidently marked the manuscripts in pencil handwriting (now recognised as hers) for the printer's copyist. These pencil deletions, transpositions, and even additions, correspond with