Modernism/PostmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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... traditional empiricist and romantic assumptions about language and literature. It is not always clear what is being proposed as the new agenda for literary studies, and indeed the very notion of 'literature' is questioned by the post ...
... traditional empiricist and romantic assumptions about language and literature. It is not always clear what is being proposed as the new agenda for literary studies, and indeed the very notion of 'literature' is questioned by the post ...
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... tradition, the second abandons the conformities of museum, gallery and library (taking some texts and images along with it) for the fluid potential of hands-on home technologies and the rich adventure of crosscultural forms and mobile ...
... tradition, the second abandons the conformities of museum, gallery and library (taking some texts and images along with it) for the fluid potential of hands-on home technologies and the rich adventure of crosscultural forms and mobile ...
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... traditions', as they might be termed, in both movements, in the commentary and contents which follow. But I have wanted also to set them with essays which broaden, redefine and challenge their assumptions, from positions within feminism ...
... traditions', as they might be termed, in both movements, in the commentary and contents which follow. But I have wanted also to set them with essays which broaden, redefine and challenge their assumptions, from positions within feminism ...
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... tradition. This is the modernism of Peter Faulkner's more recent A Modernist Reader (1986). With enviable conviction Faulkner pegs the dates for modernism in England at 1910-30 and looks again to Spender for a definition of what it was ...
... tradition. This is the modernism of Peter Faulkner's more recent A Modernist Reader (1986). With enviable conviction Faulkner pegs the dates for modernism in England at 1910-30 and looks again to Spender for a definition of what it was ...
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... traditional critics have continued to define and study modernism in traditional ways, postmodernism has functioned to further 'undefine' its supposed unitary identity, itself often collaborating in the construction of that very identity ...
... traditional critics have continued to define and study modernism in traditional ways, postmodernism has functioned to further 'undefine' its supposed unitary identity, itself often collaborating in the construction of that very identity ...
Contents
Modernist Positions | |
WALTER BENJAMIN | |
PETER BÜRGER | |
Repositioning Modernism | |
RAYMOND The Metropolis and the Emergence of Modernism | |
JEAN RADFORD | |
JÜRGEN HABERMAS Modernity an Incomplete Project | |
What is Postmodernism? | |
FREDRIC JAMESON Postmodernism and Consumer Society | |
DAVID HARVEY from The Condition of Postmodernity An Enquiry into the Origins | |
JULIA KRISTEVA Postmodernism? | |
CORNEL WEST From An Interview with Cornel West Anders Stephanson | |
Fiction and History | |
CARLOS FUENTES Words Apart | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste Baudelaire become bourgeois Brecht capitalism capitalist classical concept consciousness contemporary criticism critique cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Frankfurt Fredric Jameson gender Georg Lukács Habermas Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual Jameson kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means Mechanical Reproduction metropolis modern art modernist narrative neoconservative novel object parody past pastiche perspective philosophy political pop music popular position possible postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation romantic Salman Rushdie sense significant simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century University Press urban Verso Walter Benjamin West women writing York