Modernism/PostmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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... the mid-sixties, 'should write the history of the word "modern"'. 1 He suggests it has implied 'a serious relationship with the past. . . that requires criticism and indeed radical re-imagining' (p. 27), and as such is a weightier term than ...
... the mid-sixties, 'should write the history of the word "modern"'. 1 He suggests it has implied 'a serious relationship with the past. . . that requires criticism and indeed radical re-imagining' (p. 27), and as such is a weightier term than ...
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Peter Brooker. eclecticism or a politics of cultural subversion energised by the new social movements, might be already discovered in embryo in this earlier constellation. As with modernism, however, the important question is less what ...
Peter Brooker. eclecticism or a politics of cultural subversion energised by the new social movements, might be already discovered in embryo in this earlier constellation. As with modernism, however, the important question is less what ...
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... is on the inside looking in. But does this mean it is trapped there, a replicant under a worldembracing geodesic dome of postmodernism which only sounds like or thinks itself a free agent? Is there nothing outside, before or after, the ...
... is on the inside looking in. But does this mean it is trapped there, a replicant under a worldembracing geodesic dome of postmodernism which only sounds like or thinks itself a free agent? Is there nothing outside, before or after, the ...
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Peter Brooker. substitution of the part for the whole, of individual consciousness for 'life itself' as equivalent to Joyce's 'epiphany' or Eliot's 'objective correlative' or ... is to anarchy. What this history also tells us is that the ...
Peter Brooker. substitution of the part for the whole, of individual consciousness for 'life itself' as equivalent to Joyce's 'epiphany' or Eliot's 'objective correlative' or ... is to anarchy. What this history also tells us is that the ...
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Peter Brooker. 41 to produce an aesthetic of the 'new sentence' free of customary reference. For all its appended ... is Borges), their arguments with realism, and given other developments taking American fiction, like some of the L=A=N=G ...
Peter Brooker. 41 to produce an aesthetic of the 'new sentence' free of customary reference. For all its appended ... is Borges), their arguments with realism, and given other developments taking American fiction, like some of the L=A=N=G ...
Contents
Modernist Positions | |
WALTER BENJAMIN | |
PETER BÜRGER | |
Repositioning Modernism | |
RAYMOND The Metropolis and the Emergence of Modernism | |
JEAN RADFORD | |
JÜRGEN HABERMAS Modernity an Incomplete Project | |
What is Postmodernism? | |
FREDRIC JAMESON Postmodernism and Consumer Society | |
DAVID HARVEY from The Condition of Postmodernity An Enquiry into the Origins | |
JULIA KRISTEVA Postmodernism? | |
CORNEL WEST From An Interview with Cornel West Anders Stephanson | |
Fiction and History | |
CARLOS FUENTES Words Apart | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste Baudelaire become bourgeois Brecht capitalism capitalist classical concept consciousness contemporary criticism critique cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Frankfurt Fredric Jameson gender Georg Lukács Habermas Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual Jameson kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means Mechanical Reproduction metropolis modern art modernist narrative neoconservative novel object parody past pastiche perspective philosophy political pop music popular position possible postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation romantic Salman Rushdie sense significant simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century University Press urban Verso Walter Benjamin West women writing York