Modernism/PostmodernismPeter Brooker The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right. |
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... discourse (of 'collage', dominant and emergent tendencies and so on) with an antiessentialism, a scepticism towards fixed positions and meanings associated with postmodernism. At the same time it implies the rejection of a second ...
... discourse (of 'collage', dominant and emergent tendencies and so on) with an antiessentialism, a scepticism towards fixed positions and meanings associated with postmodernism. At the same time it implies the rejection of a second ...
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... discourse of fragments, in which Howe yokes together nine 'modernist' features (via attributions to the 'modern', the 'modernistic', the 'symbolist', the 'avant-garde'), and closes in notes, as if overcome by the double 20 impossibility ...
... discourse of fragments, in which Howe yokes together nine 'modernist' features (via attributions to the 'modern', the 'modernistic', the 'symbolist', the 'avant-garde'), and closes in notes, as if overcome by the double 20 impossibility ...
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... discourse of and about modernism' that it can be seen 'to a significant degree, as a theory of modernism'.32 This relation is evident to begin with in the reference to literary modernism (to Proust, Bataille, Mallarmé, Artaud, Genet ...
... discourse of and about modernism' that it can be seen 'to a significant degree, as a theory of modernism'.32 This relation is evident to begin with in the reference to literary modernism (to Proust, Bataille, Mallarmé, Artaud, Genet ...
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... discourse across the arts and academy, and across these and popular or mass forms, are montaged, blended or blurred together. 'Postmodernism' becomes its own best symptom of dissemination and difference. In what can sound like a ...
... discourse across the arts and academy, and across these and popular or mass forms, are montaged, blended or blurred together. 'Postmodernism' becomes its own best symptom of dissemination and difference. In what can sound like a ...
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... discourse that is full of (for this reader, brilliant) interpretative insight. A further problem concerns the question of periodisation. As Mike Davis and Callinicos have pointed out, Jameson sees postmodernism as occurring 'in the late ...
... discourse that is full of (for this reader, brilliant) interpretative insight. A further problem concerns the question of periodisation. As Mike Davis and Callinicos have pointed out, Jameson sees postmodernism as occurring 'in the late ...
Contents
Modernist Positions | |
WALTER BENJAMIN | |
PETER BÜRGER | |
Repositioning Modernism | |
RAYMOND The Metropolis and the Emergence of Modernism | |
JEAN RADFORD | |
JÜRGEN HABERMAS Modernity an Incomplete Project | |
What is Postmodernism? | |
FREDRIC JAMESON Postmodernism and Consumer Society | |
DAVID HARVEY from The Condition of Postmodernity An Enquiry into the Origins | |
JULIA KRISTEVA Postmodernism? | |
CORNEL WEST From An Interview with Cornel West Anders Stephanson | |
Fiction and History | |
CARLOS FUENTES Words Apart | |
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Adorno aesthetic American artistic autonomous avant-garde avant-gardiste Baudelaire become bourgeois Brecht capitalism capitalist classical concept consciousness contemporary criticism critique cultural debate deconstruction dialectical discourse dominant Eliot Enlightenment essay example experience fact feminism feminist fiction film Frankfurt Fredric Jameson gender Georg Lukács Habermas Hegel historical avant-garde movements historiographic metafiction hyperreal ideological institution intellectual Jameson kind language Le Corbusier Linda Hutcheon literary literature London longer Lukács Lyotard Ma Rainey Marxism mass means Mechanical Reproduction metropolis modern art modernist narrative neoconservative novel object parody past pastiche perspective philosophy political pop music popular position possible postmodernism postmodernist poststructuralism present production question radical Raymond Williams realism reality relation representation romantic Salman Rushdie sense significant simulation social society Stephanson style T.S. Eliot theory tradition trans twentieth century University Press urban Verso Walter Benjamin West women writing York