Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 160
... these shoul- ders , These ruin'd pillars , out of pity taken A load would fink a navy , too much honour . Henry VIII . at 3. fc . 6 . Ulyffes fpeaking of Hector : I wonder now how yonder city stands When we have here the bafe and pillar ...
... these shoul- ders , These ruin'd pillars , out of pity taken A load would fink a navy , too much honour . Henry VIII . at 3. fc . 6 . Ulyffes fpeaking of Hector : I wonder now how yonder city stands When we have here the bafe and pillar ...
Page 294
... these and other fine arts , leaving the application to the reader : but as I would neglect no opportunity of illustrating these principles , I propose to give a speci- men of their application to gardening and architecture , being ...
... these and other fine arts , leaving the application to the reader : but as I would neglect no opportunity of illustrating these principles , I propose to give a speci- men of their application to gardening and architecture , being ...
Page 301
... these properties ; and in copying nature the artist ought to neglect them . Having thus far carried on a comparison betwixt gardening and architecture , I pro- ceed to rules peculiar to each ; and I begin * A fquare field appears not ...
... these properties ; and in copying nature the artist ought to neglect them . Having thus far carried on a comparison betwixt gardening and architecture , I pro- ceed to rules peculiar to each ; and I begin * A fquare field appears not ...
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Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word