Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 142
... produce emo- tions in the mind that have a resemblance ; and , led by this resemblance , we naturally express worldly greatness by height or fize . One feels a certain uneafinefs in looking down to a great depth : and hence depth is ...
... produce emo- tions in the mind that have a resemblance ; and , led by this resemblance , we naturally express worldly greatness by height or fize . One feels a certain uneafinefs in looking down to a great depth : and hence depth is ...
Page 223
... produce good actions , and avert us from those that are vicious or irregular * . It likewise , by its frequent pictures of human woes , hu- manizes the mind , and fortifies us in bear- ing our own misfortunes . A moral com- pofition ...
... produce good actions , and avert us from those that are vicious or irregular * . It likewise , by its frequent pictures of human woes , hu- manizes the mind , and fortifies us in bear- ing our own misfortunes . A moral com- pofition ...
Page 411
... produces a conftant lover ii . 101. Beauty proper and figurative iii . 388 . Belief ) fortified by a lively narrative ... produce resembling effects ii . 337 . & c . Caufe defined iii . 406 . Chance ) the mind revolts against misfortunes ...
... produces a conftant lover ii . 101. Beauty proper and figurative iii . 388 . Belief ) fortified by a lively narrative ... produce resembling effects ii . 337 . & c . Caufe defined iii . 406 . Chance ) the mind revolts against misfortunes ...
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Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word