Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 9
... pleasure they afford , must arise from fuggefting refemblances that are not obvious : I mean the chief pleasure ; for undoubtedly a beautiful subject introduced to form the fimile affords a feparate plea- fure , which is felt in the ...
... pleasure they afford , must arise from fuggefting refemblances that are not obvious : I mean the chief pleasure ; for undoubtedly a beautiful subject introduced to form the fimile affords a feparate plea- fure , which is felt in the ...
Page 108
... pleasure here , that of resemblance , belongs to thought as diftin- guished from expreffion . There is an addition- al pleasure which arifes from the expreffion . The 1 The poet , by figuring his hero to be a 1 10 $ Ch . XX . FIGURES ...
... pleasure here , that of resemblance , belongs to thought as diftin- guished from expreffion . There is an addition- al pleasure which arifes from the expreffion . The 1 The poet , by figuring his hero to be a 1 10 $ Ch . XX . FIGURES ...
Page 354
... pleasures arifing perhaps from dif- ferent objects , either as being equally va- luable , or differing fo ... pleasures of various kinds . To these the proverb is applicable in the ftricteft fenfe ; for with respect to pleasures of the ...
... pleasures arifing perhaps from dif- ferent objects , either as being equally va- luable , or differing fo ... pleasures of various kinds . To these the proverb is applicable in the ftricteft fenfe ; for with respect to pleasures of the ...
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Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word