Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
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Page 376
... distinguished from both the internal and external fenfes . 4. By fight we perceive the qualities of figure , colour , motion , & c .: by the ear we perceive the qualities high , low , loud , foft by touch we perceive rough , smooth ...
... distinguished from both the internal and external fenfes . 4. By fight we perceive the qualities of figure , colour , motion , & c .: by the ear we perceive the qualities high , low , loud , foft by touch we perceive rough , smooth ...
Page 431
... distinguished from emotion i . 52. 53. 54. Paffions distinguished into inftinctive and deliberative i . 58 . 95. & c . What are selfish , what focial i . 59. What diffocial i . 62. Paffion founded on relations i . 76. & c . A paffion ...
... distinguished from emotion i . 52. 53. 54. Paffions distinguished into inftinctive and deliberative i . 58 . 95. & c . What are selfish , what focial i . 59. What diffocial i . 62. Paffion founded on relations i . 76. & c . A paffion ...
Page 445
... distinguished from novelty i . 329. Variety ch . 9. i . 380 . Verbal antithesis ) defined ii . 73. 268 . Versailles ) gardens of iii . 310 . Verse ) distinguished from prose ii . 353. Sapphic verso extremely melodious ii . 358. Iambic ...
... distinguished from novelty i . 329. Variety ch . 9. i . 380 . Verbal antithesis ) defined ii . 73. 268 . Versailles ) gardens of iii . 310 . Verse ) distinguished from prose ii . 353. Sapphic verso extremely melodious ii . 358. Iambic ...
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abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word