Elements of Criticism, Volume 3Johnson Reprint Corporation, 1967 - Criticism |
From inside the book
Results 1-3 of 32
Page 31
... King , The King that parted hence ! frowning he went ; His eyes like meteors roll'd , then darted down Their red and angry beams ; as if his fight Would , like the raging Dog - ftar , fcorch the earth , And kindle ruin in its courfe ...
... King , The King that parted hence ! frowning he went ; His eyes like meteors roll'd , then darted down Their red and angry beams ; as if his fight Would , like the raging Dog - ftar , fcorch the earth , And kindle ruin in its courfe ...
Page 210
... King do now ? muft he fubmit ? The King fhall do it : muft he be depos'd ? The The King shall be contented : must he lose The 1 210 Ch.XXI . NARRATION AND.
... King do now ? muft he fubmit ? The King fhall do it : muft he be depos'd ? The The King shall be contented : must he lose The 1 210 Ch.XXI . NARRATION AND.
Page 211
... King ? O ' God's name , let it go : I'll give my jewels for a fet of beads ; My gorgeous palace , for a hermitage ... King's highway ; Some way of common tread , where subjects feet May hourly trample on their fovereign's head : For on ...
... King ? O ' God's name , let it go : I'll give my jewels for a fet of beads ; My gorgeous palace , for a hermitage ... King's highway ; Some way of common tread , where subjects feet May hourly trample on their fovereign's head : For on ...
Other editions - View all
Common terms and phrases
abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word