Rabelais and His World |
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Page 45
Schneegans fails completely to see the positive hyperbolism of the material
bodily principle of the Middle Ages and of Rabelais . He fails to grasp the positive
regenerating power of laughter . He sees merely the negative , rhetorical satire of
...
Schneegans fails completely to see the positive hyperbolism of the material
bodily principle of the Middle Ages and of Rabelais . He fails to grasp the positive
regenerating power of laughter . He sees merely the negative , rhetorical satire of
...
Page 62
In this case a weakening of the ambivalent image ' s positive pole takes place .
When the grotesque is used to illustrate an abstract idea , its nature is inevitably
distorted . The essence of the grotesque is precisely to present a contradictory
and ...
In this case a weakening of the ambivalent image ' s positive pole takes place .
When the grotesque is used to illustrate an abstract idea , its nature is inevitably
distorted . The essence of the grotesque is precisely to present a contradictory
and ...
Page 270
Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин. world . Exterior
freedom and impunity are inseparable from the inner positive meaning of these
forms and their philosophical content . Tappecoue ' s carnivalesque
dismemberment ...
Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин. world . Exterior
freedom and impunity are inseparable from the inner positive meaning of these
forms and their philosophical content . Tappecoue ' s carnivalesque
dismemberment ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 13 |
ONE Rabelais in the History of Laughter | 59 |
und TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
6 other sections not shown
Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine
Bibliographic information
| Title | Rabelais and His World Volume 177 of M.I.T.: Literary criticism Volume 177 of Massachusetts Institute of Technology Cambridge, Mass: MIT paperback series |
| Authors | Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин |
| Translated by | Hélène Iswolsky |
| Publisher | M.I.T. Press, 1968 |
| Length | 484 pages |
| Export Citation | BiBTeX EndNote RefMan |