Rabelais and His World |
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Page 237
Inferiors will lose respect for their superiors . Never has history , which has
witnessed many wonders , told of such dreadful happenings . Let us stress in this
prophetic picture the complete destruction of the established hierarchy , social ...
Inferiors will lose respect for their superiors . Never has history , which has
witnessed many wonders , told of such dreadful happenings . Let us stress in this
prophetic picture the complete destruction of the established hierarchy , social ...
Page 252
So the admirable initial picture of carnival presented by Goethe is transferred in
his Aschermittwochbetractung to the sphere of an individual subjective
experience . And thus were these images to be interpreted during the Romantic
era .
So the admirable initial picture of carnival presented by Goethe is transferred in
his Aschermittwochbetractung to the sphere of an individual subjective
experience . And thus were these images to be interpreted during the Romantic
era .
Page 363
Such was the medieval picture of the cosmos . The characteristic trait of this
picture was that all degrees of value correspond strictly to the position in space ,
from the lowest to the highest . The higher the element on the cosmic scale ( that
is ...
Such was the medieval picture of the cosmos . The characteristic trait of this
picture was that all degrees of value correspond strictly to the position in space ,
from the lowest to the highest . The higher the element on the cosmic scale ( that
is ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 13 |
ONE Rabelais in the History of Laughter | 59 |
und TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
6 other sections not shown
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Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine
Bibliographic information
| Title | Rabelais and His World Volume 177 of M.I.T.: Literary criticism Volume 177 of Massachusetts Institute of Technology Cambridge, Mass: MIT paperback series |
| Authors | Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин |
| Translated by | Hélène Iswolsky |
| Publisher | M.I.T. Press, 1968 |
| Length | 484 pages |
| Export Citation | BiBTeX EndNote RefMan |