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This is why banquet imagery went on living in the creative life of the people . The
images continued to developed , to be renewed and filled with a richer meaning .
They grew and were regenerated together with the people who created them .
As we have seen , this living and deep awareness gives form to all the popular -
festive images of the Rabelaisian novel . Not the biological body , which merely
repeats itself in the new generations , but precisely the historic , progressing body
salism with concreteness , individuality , and with a detailed presentation of living
actuality . These images are far remote from abstract symbolism and schematism
. We may say that in Rabelais ' novel the cosmic breadth of myth is combined ...
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LibraryThing ReviewUser Review - baswood - LibraryThing
My recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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Mikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
ONE Rabelais in the History of Laughter
und TWO The Language of the Marketplace in Rabelais
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