Rabelais and His World |
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Page 13
But comic literature was infused with the carnival spirit and made wide use of
carnival forms and images . It developed in the disguise of legalized carnival
licentiousness and in most cases was systematically linked with such
celebrations .
But comic literature was infused with the carnival spirit and made wide use of
carnival forms and images . It developed in the disguise of legalized carnival
licentiousness and in most cases was systematically linked with such
celebrations .
Page 72
recreational literature . And medieval laughter knew how to use these privileges
widely a In the Renaissance , laughter in its most radical , universal , and at the
same time gay form emerged from the depths of folk culture ; it emerged but once
...
recreational literature . And medieval laughter knew how to use these privileges
widely a In the Renaissance , laughter in its most radical , universal , and at the
same time gay form emerged from the depths of folk culture ; it emerged but once
...
Page 319
Even when the flood is contained by norms of speech , there is still an eruption of
these images into literature ... This boundless ocean of grotesque bodily imagery
within time and space extends to all languages , all literatures , and the entire ...
Even when the flood is contained by norms of speech , there is still an eruption of
these images into literature ... This boundless ocean of grotesque bodily imagery
within time and space extends to all languages , all literatures , and the entire ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 13 |
ONE Rabelais in the History of Laughter | 59 |
und TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
6 other sections not shown
Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine