Rabelais and His World |
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Page 13
It developed in the disguise of legalized carnival licentiousness and in most
cases was systematically linked with such celebrations . Its laughter was both
ambivalent and festive . It was the entire recreational literature of the Middle Ages
.
It developed in the disguise of legalized carnival licentiousness and in most
cases was systematically linked with such celebrations . Its laughter was both
ambivalent and festive . It was the entire recreational literature of the Middle Ages
.
Page 52
The correctness of the term grotesque as applied to the imagery of medieval folk
culture and of the Renaissance which is linked to it can raise no doubts whatever
. But how can our term grotesque realism be justified ? We can offer only a ...
The correctness of the term grotesque as applied to the imagery of medieval folk
culture and of the Renaissance which is linked to it can raise no doubts whatever
. But how can our term grotesque realism be justified ? We can offer only a ...
Page 163
Further , tripe is linked with death , with slaughter , murder , since to disembowel
is to kill . Finally , it is linked with birth , for the belly generates . Thus , in the
image of tripe life and death , birth , excrement , and food are all drawn together
and ...
Further , tripe is linked with death , with slaughter , murder , since to disembowel
is to kill . Finally , it is linked with birth , for the belly generates . Thus , in the
image of tripe life and death , birth , excrement , and food are all drawn together
and ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 13 |
ONE Rabelais in the History of Laughter | 59 |
und TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
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Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine
References to this book
Bibliographic information
| Title | Rabelais and His World Volume 177 of M.I.T.: Literary criticism Volume 177 of Massachusetts Institute of Technology Cambridge, Mass: MIT paperback series |
| Authors | Mikhail Mikhaĭlovich Bakhtin, Михаил Михайлович Бахтин |
| Translated by | Hélène Iswolsky |
| Publisher | M.I.T. Press, 1968 |
| ISBN | 0262055031, 9780262055031 |
| Length | 484 pages |
| Export Citation | BiBTeX EndNote RefMan |