Rabelais and His World |
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Page 67
The attitude toward laughter of the seventeenth century and of the years that
followed can be characterized thus . Laughter is not a universal , philosophical
form . It can refer only to individual and individually typical phenomena of social
life .
The attitude toward laughter of the seventeenth century and of the years that
followed can be characterized thus . Laughter is not a universal , philosophical
form . It can refer only to individual and individually typical phenomena of social
life .
Page 71
Let us stress once more that for the Renaissance ( as for the antique sources
described above ) the characteristic trait of laughter was precisely the recognition
of its positive , regenerating , creative * meaning . This clearly distinguishes it
from ...
Let us stress once more that for the Renaissance ( as for the antique sources
described above ) the characteristic trait of laughter was precisely the recognition
of its positive , regenerating , creative * meaning . This clearly distinguishes it
from ...
Page 141
laughter . He is not a satirist in the ordinary sense of the word . His laughter is by
no means directed at the distinct , purely negative aspects of reality . Only a few
secondary characters and episodes of the novel ' s last books can be described ...
laughter . He is not a satirist in the ordinary sense of the word . His laughter is by
no means directed at the distinct , purely negative aspects of reality . Only a few
secondary characters and episodes of the novel ' s last books can be described ...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 13 |
ONE Rabelais in the History of Laughter | 59 |
und TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
6 other sections not shown
Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine