Rabelais and His World |
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Page 25
The sense of time and of change was broadened and deepened , drawing into its
cycle social and historic phenomena . The cyclical character is superseded by
the sense of historic time . The grotesque images with their relation to changing ...
The sense of time and of change was broadened and deepened , drawing into its
cycle social and historic phenomena . The cyclical character is superseded by
the sense of historic time . The grotesque images with their relation to changing ...
Page 112
Doubtless the tradition of replacing Rabelais ' characters and the various
episodes of his novel by real historic figures and events of political and court life
was started as early as the sixteenth century , was transmitted to the seventeenth
...
Doubtless the tradition of replacing Rabelais ' characters and the various
episodes of his novel by real historic figures and events of political and court life
was started as early as the sixteenth century , was transmitted to the seventeenth
...
Page 406
For him the biological element could not be separated from the social , historic ,
and cultural element . The father ' s new flowering in the son does not take place
on the same level but on a higher degree of mankind ' s development . When life
...
For him the biological element could not be separated from the social , historic ,
and cultural element . The father ' s new flowering in the son does not take place
on the same level but on a higher degree of mankind ' s development . When life
...
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User Review - baswood - LibraryThingMy recent (over the last couple of years) reading of Medieval literature and renaissance literature has taught me that to appreciate their works it is essential to approach the authors on their own ... Read full review
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User Review - Jannemangan - LibraryThingMikhail Mikhailovich Bakhtin (Russian: Михаил Михайлович Бахти́н, pronounced [mʲɪxʌˈil mʲɪˈxajləvʲɪtɕ bʌxˈtʲin]) (November 17, 1895, Oryol – March 7, 1975) was a Russian philosopher, literary critic ... Read full review
Contents
INTRODUCTION | 13 |
ONE Rabelais in the History of Laughter | 59 |
und TWO The Language of the Marketplace in Rabelais | 145 |
Copyright | |
6 other sections not shown
Other editions - View all
Rabelais and His World Mikhail Mikhaĭlovich Bakhtin,Mikhail Bakhtin,Mikhail Mikha?ilovich Bakhtin Limited preview - 1984 |
Common terms and phrases
abuse Ages already ambivalent ancient antique appear aspect become birth body Book carnival carnivalesque century Chapter character closely combined comic completely concept concerning contains course culture death described earth elements entire episode especially essential example existed expressed familiar fear feast festive Finally folk forms Gargantua genre gives grotesque historic human humor images important individual influence interpretation Italy king language laugh laughter limited lines linked literary literature living lower stratum marketplace material bodily meaning medieval Middle Ages names nature novel objects offered official organs Pantagruel parody philosophy picture play popular popular-festive positive praise present principle prologue Rabelais Rabelaisian reflected Renaissance renewal represented role seen sense serious similar sources speaking speech sphere spirit symbol theme tion tone tradition transformed true truth turned typical universal various whole wine